REVIEW: The DC animated series has become a surprising bastion of sex-positive queerness

REVIEW: The modern gothic thriller “Tell Me I’m Worthless” grapples with how fascist tendencies urge us turn on each other

The Nova Scotia director’s second feature was a TIFF stand-out in 2022

REVIEW: The standout Sundance doc pays tribute to a musical icon who didn’t get his flowers

REVIEW: Kathy Acker was the kind of writer who’d perform sex acts in public; author Jason McBride captures her raucous life in his new biography

Elegance Bratton’s TIFF standout is a deep exploration of Black gay identity

REVIEW: Jim Parsons stars in Michael Ausiello’s touching memoir with holiday flair

REVIEW: Trynne Delaney’s genre-breaking debut novella introduces us to a group of Black survivors imagining their future

REVIEW: In “Fayne,” literary legend Ann-Marie MacDonald takes us out for a walk upon the moors in a tale that references “Jane Eyre” and “Orlando”

REVIEW: The David Bowie documentary is a cinematic musical odyssey

Florida rapper and drag performer Kezra Leon’s new EP is an homage to club culture

REVIEW: Jones deftly knits together cheeky humour and emotional vulnerability on her third album

REVIEW: João Pedro Rodrigues’s experimental TIFF standout is worth seeking out

REVIEW: A new horror anthology, “Queer Little Nightmares,” sets the monsters loose among us—and we are delighted to be so scared

From “The People’s Joker” to “Bros” to “The Whale,” we’ve got awards to give out

Vera Drew’s trans superhero masterpiece made headlines for copyright problems. We spoke to Drew about the creatively triumphant film

REVIEW: Luis De Filippis’s debut feature is a brilliant and tightly constructed family portrait

REVIEW: Billy Eichner’s blockbuster gay rom-com is hilarious, but misses out trying to please everyone

Review