After starting the season with a bang—or two—this episode gets back to business as usual
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Displaying all articles tagged:
After starting the season with a bang—or two—this episode gets back to business as usual
Despite online controversy, director Christopher Nolan casting him is not a “woke” psy-op. It’s just the right actor for the right role
“Antidiva” solidifies the Canadian rock star’s legendary status—from her iconic crotch-grab to her contemporary impact
“All Stars 11” claimed to cede control to the queens, but seemed terrified of putting its frontrunner in any danger
A girl groups challenge leads to a truly shocking elimination
Clement Virgo’s innovation on a tried-and-true formula couldn’t be more relevant
As a young gay kid, I felt trapped in the closet by bullies. “Heartstopper” could have made my happy ending arrive sooner
GLAAD’s annual report on representation in film also found that LGBTQ2S+ representation overall is declining
Ladies and gentlemen, Nearah Nuff is back in business
The iconic photographer captured textured, erotic and political images of San Francisco lesbians as they were
Six brackets in, the Tournament of All Stars format has finally figured out the perfect formula
Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
Through a lecture series and syllabus, UBC’s JP Catungal encourages discussions about what Shane Hollander’s Japanese-Canadian identity means in the world of “Heated Rivalry”
“Different from the Others” is considered one of the first sympathetic portrayals of gay men on film. It was nearly destroyed
Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
John Early’s pastiche of after-school specials mixes belly laughs with gut punches. It’s a rare masterwork
The drag phenom’s run complicated our idea of what a reality TV villain could be. She tells Xtra about clawing her way to the top—and her fight for what comes next
Director Adam Shankman told Xtra that the film actually did use some AI in its visual effects