REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Veronica Esposito
Veronica Esposito (she/her) is a writer and therapist based in Oakland, CA. She reports regularly for The Guardian and KQED, the NPR member station for Northern California, and has written for dozens of magazines, newspapers, and literary journals. She speaks English and some Spanish.
‘National Anthem’ is a breakout role for Eve Lindley’s free-spirited cowgirl
The trans actress says the queer rodeo film gave her space to shape new dimensions of herself
‘Love the World or Get Killed Trying’ is an exquisite portrait of a trans woman’s suffering
REVIEW: Swedish author Alvina Chamberland’s prose is relentlessly inventive
Transition selfies are broadly popular, but why?
How transition photos open up big questions about trauma, validity and safety for trans people
The recent AI yearbook trend made me think about the girlhood I could have had
“I was intrigued by how it might let me have and hold something that had always seemed ephemeral and out of reach”
‘Valid’ takes on the surprisingly rich postapocalyptic transfeminine genre
REVIEW: Chris Bergeron’s dystopian new autofiction novel delivers mixed results