The Bridgers on “Lost Weekend” is an earnest journeyman, shaping each painful memory into beautiful songs that trade equally between mourning and wry contentment
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Displaying all articles tagged:
The Bridgers on “Lost Weekend” is an earnest journeyman, shaping each painful memory into beautiful songs that trade equally between mourning and wry contentment
The Muskoka-set series glosses over the racism of Canada’s cottage country
If the prime minister is willing to cave on this issue, it seems reasonable to expect there will be others down the line
Sports media is perpetuating a problem that doesn’t actually exist
Jane Schoenbrun’s “I Saw the TV Glow” follow-up shows the threads between nostalgia, violence and sexual pleasure
After Indiana Fever player Sophie Cunningham came out against trans women playing women’s sports, the league has allowed things to snowball
Hendricks, who died this month at 84, left an indelible mark on Canadian queer history
Tim Hortons licensing “Harry Potter” in 2026 essentially means directly funding J.K. Rowling’s anti-trans crusade
Despite online controversy, director Christopher Nolan casting him is not a “woke” psy-op. It’s just the right actor for the right role
Military men over 30 will be screened annually for testosterone levels and can access testosterone replacement therapy to access “maximum psychological and mental readiness”
The Conservative MP’s culture war posts about Prime Minister Mark Carney’s attendance at Toronto Pride are bait for persecution points
In the face of a government that wants to legislate us out of everyday life, we must continue to show up for one another—and commit to outliving the bastards
They might be superficial money grabs—but Pride Nights can help maintain visibility in a moment of escalating queer repression
Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
John Early’s pastiche of after-school specials mixes belly laughs with gut punches. It’s a rare masterwork
The Prime Minister’s remarks on Parliament Hill this week are a lot of talk, but not much action
Director Adam Shankman told Xtra that the film actually did use some AI in its visual effects