That’s how a heartache begins

Former openly gay country star takes on new name and image


A classic country song, made famous by Patsy Cline, is particularly apt for describing what happened to openly gay country musician Josey Greenwell:

“I watched her take him from me/ And his love is no longer my own/ Now they are gone, and I sit alone/ And watch one cigarette burn away.”

Only in this case, “her” is the soul-crushingly heteronormative music industry, “love” is values or integrity or identity or something, and the gay community is the spurned lover.

Out and About Nashville describes the tale worthy of its own country song.

Greenwell was performing at Pride festivals and gracing the cover of DNA magazine and the 2012 Spartacus Gay Guide. He then disappeared from the public eye, only to reappear in a music video for “Wild and Free” under the name Nate Green, which sees the musician grinding on top of a woman in a pile of money, in a song that is about as inane and grating as a modern country-pop song could ever be.

OaAN details how, in an article with DNA, “Greenwell discussed his early experience of getting dropped from a label because they found out he was gay. He finished that project independently, but reported that he was told ‘Music isn’t ready for something as controversial as you and we sure as hell won’t be the first label to have it.’”

The story is about as sad and melodramatic as another Cline song:

“I’ve got the records that we used to share/ And they still sound the same as when you were here/ The only thing different, the only thing new/ I’ve got the records, she’s got you.”

Michael Lyons is a queer-identified, chaotic neutral writer, activist, misanthrope, sapiosexual, and feline enthusiast. He is a columnist, blogger and regular contributor with Xtra and has contributed to Plenitude Magazine, KAPSULA Magazine, Crew Magazine, Memory Insufficient e-zine, The Ryersonian, Buddies Theatre blog, Toronto Is Awesome blog and Fab Magazine and more.

Read More About:
Music, Culture, Toronto, Ottawa, Vancouver, Canada, Arts

Keep Reading

Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
John Early in Maddie's Secret holding two jars above an open box

‘Maddie’s Secret’ is the movie about eating disorders we need

John Early’s pastiche of after-school specials mixes belly laughs with gut punches. It’s a rare masterwork
Advertisement