Less than glorious days

Play's Glory Days hampered by homophobia


How glorious were the glory days of high school if homophobia lurked just beneath the surface? How genuine were the friendships formed if they later reel from the revelation that one of the gang is gay?

Based on the dynamics of playwrights Nick Blaemire and James Gardiner’s high school circle, Glory Days is the story of four best friends who reunite a year after graduation. As the four catch up, their friendships are tested when Jack, played by local gay actor Darren Burkett, announces he is gay. The surprise announcement prods his friend Andy’s latent homophobia and becomes the catalyst for the play as the group realizes things are not quite as they were back in high school.

Playing the foursome in the Vancouver production are real-life best friends Adam Charles, Brandyn Eddy, Colin Sheen and Burkett. “To do this with my best friends, in a show that hits upon issues so close to my heart, is really special,” Burkett says.

In “Open Road,” one of the musical’s early numbers, Jack recounts his post–high school trip across the United States, where he first came to terms with being gay. Surprisingly, the inspiration for the song comes from a story Blaemire’s father once told him about a road trip he took as a young man.

“The time alone on the road, and the choice to do something solely for himself, gave Jack a chance to really take a closer look at himself,” Blaemire explains. “As he tells the story to his friends, it became the opportunity for him to tell them [he’s gay].”

As Jack’s revelation sets in, Andy’s previously hidden homophobia starts to take shape.

In “Other Human Beings,” Jack sings of tolerance and acceptance and pulls no punches, reminding Andy “that other human beings don’t fuck with each other, unless they want to lose each other.”

“After Andy reveals how uncomfortable he is with all the changes he’s witnessing, it felt like the perfect time to have Jack come forward and explain how careful we all have to be with each other, no matter what we may think,” Blaemire says.

But don’t expect a typical Hollywood feel-good ending, as the playwrights deliberately leave relationships unresolved.

“It’s a sad truth that people just don’t know what to do with things they don’t understand,” Blaemire says. “So the grey area that it ends with feels much more true to life than any kind of closure to that conflict we could have written.”

 

Colin Sheen, who plays the role of Andy, agrees: “It’s not tied up in our society, so I’m glad the writers didn’t pretend everything was okay.”

Burkett expects the play’s ambiguity will leave room for audiences to come to their own conclusions, though he hopes it will move younger audiences, whom he sees grappling with these same issues in real life, to become more understanding.

For an older generation he has a different wish: “I hope it reminds them of their youth, the friends they had in high school and how far they have come in their own world. Maybe they’ll be surprised as to how much further there is to go, even if they are 50.”

Read More About:
Culture, Education, Theatre, Arts, Vancouver

Keep Reading

‘Monster’ butchers queer history to tell a tale of lesbian revenge

In rewriting Lizzie Borden’s story, Ryan Murphy’s show sensationalizes women’s violence
Josh Silver

‘Fruit Fly’ author Josh Silver has a sweet tooth—and the summer’s buzziest book

The English writer talks the duality of social media, how nursing helped his draft—and the cost of massive success

How ‘North of North’ is introducing Indigenous queer dramedy to a global stage

Actors Anna Lambe and Zorga Qaunaq on learning about forgiveness and queerness through their award-winning show
Barbara Hammer

Barbara Hammer’s endless influence

The lesbian filmmaker made a radical difference by making work that reflected her real life. A new documentary is cementing her legacy
Advertisement