Class of eighty-sixed

Living to see the screen adaptation of Dreamgirls


“You homo!” cried a familiar voice.

I didn’t have to look to see who it was, even though we had not talked in months. “Only a queen would line up on Christmas morning to see Dreamgirls,” he snarled, and then gave me a hug.

“I’ve gone to a matinee every Christmas since The Fellowship of the Rings,” I said, sounding as if I didn’t fart or masturbate.

“Mary, please…”

We were not alone. The front of the Paramount Theatre looked like the PumpJack patio on Pride Day. There were guys there that I had crushes on in my 20s. Like my acquaintance and myself, they were around the first time Dreamgirls was a hit.

If my generation has anything over the next it’s spit and vinegar, and my old acquaintance was teeming with both.

“Look, look,” he’d say whenever someone pulled on the locked theatre door, then add, just loud enough for them to hear, “No, we’re just standing here because we like the cold!”

One of the few bragging rights I have is that I’ve seen Dreamgirls on Broadway, and I saw this as a rare opportunity to boast about it. “Did you see the play?” I asked.

“No. Did you?”

“On Broadway.”

“With Jennifer Holiday?”

“No. It was a high school trip. I think the original drummer was still in the orchestra.”

“‘I’m Not Going’ is my favourite song in the world,” he said, as though he were about to break into it. “How old are you again?”

“Thirty-nine. For real!”

“I’m going to be 50. Never in a million years did I think I would live to say that.”

That’s when I realized that, technically, neither of us, nor the rest of the men waiting out in the cold, are supposed to be here.

Later, as I was getting goose bumps from Jennifer Hudson’s performance, I was overcome by a sense of what could have been. Dreamgirls was only the second musical Michael Bennett directed before he died. His first was A Chorus Line. It chilled me to think that there are men I have known intimately whom I have outlived by nearly 20 years-men who never lived to see the screen adaptation of Dreamgirls.

After the movie, I passed my old acquaintance on the escalator.

“What did you think?” I asked.

“Did Beyoncé not see the irony in playing this role? Is she so famous she’s stupid?” He continued to rain piss and vinegar on the families below him, just back from Charlotte’s Web, making them visibly uncomfortable.

It was just his way of saying, “I’m Not Going.”

 

Tony Correia is a Vancouver-based writer who has been contributing to Xtra since 2004. He is the author of the books, Foodsluts at Doll & Penny's Cafe, Same Love, True to You, and Prom Kings.

Read More About:
Culture, Music, Arts, Theatre, Vancouver

Keep Reading

Marlon James in front of the Disappearers book cover

Marlon James’s disappearing act

The superstar author’s new novel, “The Disappearers,” has gained buzz beyond belief. He’s earned it
Samantha Josephs in front of the cover of 'Carrying'

Samantha Josephs gets dirty

The author of “Carrying” talks writing erotica, trans pregnancy—and her novel’s upcoming movie adaptation
A cartoon of two people standing close together; one is holding a puppy, the other is holding a book

How a Canadian kids’ book became the centre of a U.S. Supreme Court case

“Pride Puppy” was written to highlight the joy of Pride. It became a political flashpoint
A cartoon of people raising their fists with police officers facing them. There are flowers in the background

Queer censorship isn’t new in Canada, but we’ve won the fight before

Key figures from censorship fights in the 20th century reflect on what we can learn from them today
Advertisement