Time to pretend

‘(Let’s pretend we don’t have) feelings’ gives us major feelings

This debut video by a San Francisco band is as amazing as puppies, comfort food and queer-synth beats.

GAYmous’s video popped up on my feed with a comment attached, describing it as a “parody of queer youth culture,” or something like that. I opened it expecting something novel, but I actually really adore “(Let’s Pretend We Don’t Have) Feelings.”

So I tracked down the band, which features Pizza Cupcake and FXBoi, on Facebook, and their description is as amazing as their first music video:

“Motivated by a dare and a mutual belief in the power of the synthesizer, GAYmous started emotionally scissoring with audiences in 2012, and now fans never want it to stop,” their bio reads.

They released their first music on Vimeo just last week:

I’m into it!

Michael Lyons is a queer-identified, chaotic neutral writer, activist, misanthrope, sapiosexual, and feline enthusiast. He is a columnist, blogger and regular contributor with Xtra and has contributed to Plenitude Magazine, KAPSULA Magazine, Crew Magazine, Memory Insufficient e-zine, The Ryersonian, Buddies Theatre blog, Toronto Is Awesome blog and Fab Magazine and more.

Read More About:
Music, Culture, Ottawa, Vancouver, Canada, Arts, Toronto

Keep Reading

Bentley Robles

Bentley Robles wants a brotherhood of gay pop stars

The yellow-haired singer talks rising stardom, Zara Larsson and dating while gay-famous
Vivek Shraya being kissed by a man

Vivek Shraya is hot, blond and hitting the dance floor

The Toronto multi-hyphenate’s new album, “VIVICA,” shirks respectability politics for a sensual, high-gloss exploration of queer and trans desire
Morphine Love Dion, Dawn and Morgan McMichaels

‘RuPaul’s Drag Race All Stars 11’ plays it safe for the first bracket—until the very last minute

Already, we see the consequences of only two queens moving forward from each bracket to the semifinals
The cover of Alice Stoehr's Again, Harder. The book has black letters on a lilac background. In the middle of the cover is a red rectangle with a black line drawing of it. The drawing is of two figures entangled; they have human bodies but animal heads. The same image serves as the background behind the image of the book cover.

‘Again, Harder’ captures being part of an in crowd made up of those on the outskirts

Being trans can be a vital way to connect. Author Alice Stoehr illustrates how it can also be the extent of connection
Advertisement