Robin Williams gay film reportedly struggling for release

One of Robin Williams’s final films, Boulevard, received positive reviews when it screened at the Tribeca Film Festival in April, but according to the Mirror it is struggling to find a mainstream backer and may never be released in theatres.

“It’s really sad but it is looking impossible that Boulevard will ever see the light of day now,” a source “close to the cast” tells the Mirror. “It has proved to be a struggle for it to find the support it needs to be released. The cast have tried, as have the crew. But for many reasons it is looking very unlikely. There is one suggestion it isn’t up to scratch and is failing on merit to find anyone to distribute it.”

Boulevard sees Williams portraying a character named Nolan Mack alongside actress Kathy Baker, who plays his wife, Joy. In the film, Nolan struggles with his sexuality and develops a relationship with a male prostitute.

Speaking of the film weeks before his suicide, Williams said, “Boulevard is a beautiful, sad movie about a guy who falls in love with a gay prostitute, basically comes out. He’s married, and he has to come out to his wife. It was powerful to do.”

Here’s hoping the source is wrong and Boulevard manages to find the financial support it needs so that it can be released alongside Williams’s other final films, which include A Merry Friggin’ Christmas, in theatres Nov 7; Museum: Secret of the Tomb, which comes out in December; and the British comedy Absolutely Anything, in which Williams voices a dog, set for release in 2015.

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink