Ride the Cyclone

Originally produced at Victoria’s Belfry Theatre in 2009, Atomic Vaudeville’s wildly inventive and tremendously entertaining Ride the Cyclone follows six members of a fictional Saskatchewan choir as they meet their fate aboard the Cyclone roller coaster at a travelling fair.

A mechanical fortune-telling machine feels guilty for having encouraged the group to ride the ill-fated coaster and offers them a final concert where they can share their personal stories through song.

Opening the concert is Noel Gruber, the town’s only gay person. Noel longs for a life as a prostitute in post-war France, yearning to wake up in a pool of his own vomit with missing teeth — far from his mundane life as the child of the local “intelligentsia” (his family owned the video store).

“Noel is the most romantic boy in town,” says Kholby Wardell, who, as Gruber, delivers the play’s most outstanding vocal performance. “He is pretty dark and really wishes he had suffered more in life. He has this romantic idea of what it means to be human, full of the highest highs and lowest lows, but lived in this town that was, well, normal.”

Keep Reading

‘Monster’ butchers queer history to tell a tale of lesbian revenge

In rewriting Lizzie Borden’s story, Ryan Murphy’s show sensationalizes women’s violence
Josh Silver

‘Fruit Fly’ author Josh Silver has a sweet tooth—and the summer’s buzziest book

The English writer talks the duality of social media, how nursing helped his draft—and the cost of massive success

How ‘North of North’ is introducing Indigenous queer dramedy to a global stage

Actors Anna Lambe and Zorga Qaunaq on learning about forgiveness and queerness through their award-winning show
Barbara Hammer

Barbara Hammer’s endless influence

The lesbian filmmaker made a radical difference by making work that reflected her real life. A new documentary is cementing her legacy
Advertisement