Pomme and ’Restes clown around

A Company of Fools brings its shenanigans to the Irving Greenberg

Pomme Frites (or just Pomme), a red-nosed clown, wants to be Anne of Green Gables. He has some things in common with her — like his temper — but for some reason people like Anne better.

Pomme and his companion, ’Restes, also a clown, were entertainers on a cruise ship before it was wrecked. Adventures abound while they’re stranded on an island — often with Pomme having to rescue ’Restes — but Pomme is also dealing with some existential crises: Why can’t he be Anne? And should he give up and just resign himself to staying on the island?

What will happen to our heroes?

All will be revealed in A Company of Fools’s upcoming production Pomme and ’Restes: Shipwrecked! On the Tempestuous Lost Island of Never.

Pomme and ’Restes got up to some hijinks several years ago in a play called A Midwinter’s Dream Tale. The show was such a success that the Great Canadian Theatre Company asked A Company of Fools to write a new Pomme and ’Restes play for the upcoming holiday season.

The show’s humour will appeal to people of all ages, but Pomme and ’Restes’s lack of gender-related hang-ups should send a particularly important message to children.

“’Restes is a boy, or at least he thinks he’s a boy. And Pomme always wears a skirt and believes that at heart he’s a little girl,” says Margo MacDonald, who plays ’Restes. “This is the nature of clowns. They have the ability to exist without judgment.”

“Sometimes at student matinees, children will be really surprised when I take the costume off. They’re like, ‘Wait a minute, you’re a girl?’ and I say, ‘I’m a girl, but ’Restes is a boy.’ And they say, ‘How can he be a boy if you’re a girl?’ and I say, ‘Well, he believes he’s a boy, so does it matter?’ They often think about that and decide it doesn’t matter.”

Pomme and ’Restes: Shipwrecked! On the Tempestuous Lost Island of Never
Runs until Sun, Dec 14
Irving Greenberg Theatre Centre
1233 Wellington St W
fools.ca

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Theatre, Arts, Ottawa

Keep Reading

The cover of Perverts

‘Perverts’ shows the cost of sexual self-censorship

Mac Crane’s short-story collection follows queer and trans characters who are both stuck—and free
Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
Advertisement