Lights of Shangri-la launches TotoToo season

Some dreams come true, some die, in David Whiteman’s debut

As a child camping with his family, David Whiteman spent many evenings gazing wide-eyed at the lights twinkling across the lake. He imagined the places and people that might have been over there, in that fantastical and enthusiastic way children do. “I think I was sort of imagining the future,” Whiteman says. “I think — or I hope — that’s a common experience.”

While taking time off from his public service job four years ago, Whiteman watched old movies and started feeling sentimental for that wondrous feeling from his childhood. He began writing a play that he hoped would “capture that feeling and maybe reawaken that kind of place in other people’s hearts that maybe they’ve forgotten about.”

The play, called The Lights of Shangri-La, is the first play of Whiteman’s to be produced. The work is sad and funny but, most of all, hopeful. Produced by TotoToo Theatre, the play’s premiere will be guided by the steady hand of Sarah Hearn, a director with 28 years’ experience, and includes original music composed by Mike Heffernan.

To safeguard his plot, Whiteman’s description of the play is quite sparse. “At the outset, it’s about a woman who has been battling cancer, and she’s gotten some good news and is heading off to the family cottage to celebrate and to mend the fractured romance between her gay brother and his partner,” Whiteman says. “It gets a lot more complicated after that.”

The central characters — a middle-aged brother and sister — have led extraordinary lives. She’s a famous broadcast journalist, he’s a former Broadway performer — but they’ve each had their struggles. “In a way, the play is about achieving some of your dreams and seeing others fall flat, the way life really does do,” Whiteman says, “and yet they come back to the lake, and I think they’re still dreamers at heart.”

The Lights of Shangri-La
Wed, Sept 10–Sat, Sept 13
7:30pm daily, plus 2pm Sat matinee
Academic Hall
University of Ottawa
133-135 Séraphin-Marion Pvt
tototoo.ca

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Theatre, Arts, Ottawa

Keep Reading

The cover of Perverts

‘Perverts’ shows the cost of sexual self-censorship

Mac Crane’s short-story collection follows queer and trans characters who are both stuck—and free
Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
Advertisement