Interrogating Russia

Skip the Olympic closing ceremonies in favour of Komunka, a play about the trouble with modern Russia


News out of Russia is grisly: while the punk-rock band Pussy Riot is horsewhipped in the street and persecution of queer people continues, Olympic athletes pose for irksome selfies with the dead-eyed despot who presides over it all.

We know about some of the horrors going on in Russia, but few of us have any sense of why these things are happening — why modern Russia is so troubled.

Created by Yury Ruzhyev and directed by Sky Gilbert, Komunka fills in some of the blanks. The play is set during the 2014 Winter Olympics. Using a communal apartment as the setting — each family lives in a separate room but shares the kitchen and bathroom — the play brings together people from different segments of Russian society, from a gay couple to a corrupt banker. When the inhabitants, during the course of their everyday activities, meet up in the kitchen, their differences clash, providing varied perspectives on Russia’s many problems, from homophobia to economic issues.

The issues explored extend beyond those surrounding the Olympics. “We touch on [the Olympics] because they spent $51 billion on it, and the conditions [of Russian society] are so miserable. One of the questions we explore is what could be done with that money to fix conditions in Russia,” Ruzhyev says.

Because Russia’s problems are reflected in how people there live, Komunka attemps to recreate day-to-day life. “It would be cool for Canadians to come and see what the real Russians are — see them in their natural habitat. You can see things in the media, but it’s different from what real life is,” Ruzhyev says.

This workshop performance is an opportunity to refine the play for an official production at this year’s Toronto Fringe Festival. The timing of the workshop is no coincidence; with pleasing symmetry, not only is the play set during the Olympics, but the workshop itself will take place during the closing ceremonies. There are few better ways to boycott the Olympics than by skipping the closing ceremonies in favour of a play that tries to make sense of it all.

The Komunka workshop is by invitation only. To be invited, email komunka@yahoo.ca.
It takes place Sun, Feb 23, at Glad Day Bookshop, 598 Yonge St. rushow.ru

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Theatre, Toronto, Arts

Keep Reading

Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink

‘Masquerade’ offers a queer take on indulgence and ennui 

Mike Fu’s novel is a coming of age mystery set between New York and Shanghai