How Edith Piaf inspired drag in a classical tenor

Frédérik Robert performs at Vancouver’s Queer Arts Festival


The music of Edith Piaf may have lingered in Frédérik Robert’s francophone childhood home, but that’s not the real reason he chose to portray the French chanteuse in Dragging Piaf.

“I grew up with Piaf’s music and my mother would play her vinyls once in a while, but I never considered her music as pertinent to my career,” says Robert, who is considered by many to be one of Canada’s leading classical tenors.

Despite the title of his upcoming Queer Arts Festival performance, Piaf’s music won’t be the star of this show; it’s the silent film that plays behind Robert as he sings Piaf’s music, dressed as the drag persona of the songstress, that’s likely to steal the scene.

“It’s very much done in the style when people used to watch films like Phantom of the Opera, with a live organist to accompany the movie,” he explains.

Previous audiences have sometimes arrived expecting a concert of Piaf songs, he acknowledges, but the experience is actually quite different. As the movie unfolds, Robert underscores his own portrayal in the film of a conflicted young man who is questioning his identity.

“It is a process of discovery, as this young man struggles to see how he fits in the world,” he says. “Facing obstacles of drug addiction, alcoholism and abusive relationships, he is trying to figure who he is, trying to come to terms with his own identify as male or female.”

Robert sees Dragging Piaf as an opportunity to use his vocal talents to tell a story that he hopes will resonate with members of the LGBT community and inspire dialogue.

“Many people in the LGBTQ community have faced obstacles in their own coming out, or in discovering who they are,” he says. “When we did the show in Kamloops, during the Q&A afterwards it was an opportunity for those who had come for the music to pose questions and find their own discoveries beyond the music.”

Filled with stories of love, loss and sorrow, it is not surprising that Robert and filmmaker Alan Corbishley turned to Piaf’s music for their tragic film.

“Piaf’s music is very raw, and super-loaded with their own story inside of them,” he says. “There is a grittiness to her stories of struggles and longings, and while not everything translates perfectly into the movie, it makes for a wonderful soundtrack and commentary.”

 

Dragging Piaf
Wednesday, June 29, 2016 at 7pm
Roundhouse Community Centre, 181 Roundhouse Mews, Vancouver
Tickets $15–30
queerartsfestival.com/event/dragging-piaf

Read More About:
Music, Culture, Vancouver, Arts

Keep Reading

A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Myki Meeks with an up arrow behind her; Darlene Mitchell with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 16 power ranking: Three of hearts

We take one last look back at our final three queens’ journeys
Advertisement