Diagnosing Difference

Timely film challenges gender identity disorder


The timely documentary Diagnosing Difference examines the medical community’s ongoing practice of treating people whose gender expression is different from their birth-assigned gender as mental patients suffering from a disorder.

Since 1980, the American Psychological Association (APA) has included “gender identity disorder (GID)” in its Diagnostic and Statistical Manual of Mental Disorders (DSM) — what some call the Bible of psychological treatment.

The DSM shapes how doctors treat those who identify on the trans spectrum (not all people who are gender variant identify as trans), and how gender is treated under the law and in social life.

With the APA set to introduce an update to the DSM in 2012 (only the second revision since 1980), pressure is mounting for the section on GID to be removed or heavily revised.

Some of the talking heads in Diagnosing Difference note that GID diagnosis is for now an unfortunate but necessary tool for them to access medical treatment and eventual legal recognition of their chosen gender. Others say the diagnosis — implying sickness — is stigmatizing — socially, culturally and legally.

One of the key threads of the hour-long doc is that there is no monolithic trans experience or community with clearly defined goals and needs. Each trans person needs to be treated as an individual with unique experiences and desires for their gender expression.

It’s a stunningly obvious conclusion that nonetheless bears repeating for how often it is lost on people obsessed with genital status and normative gender expression.

At one point, a trans person recalls how her doctors asked if she enjoyed playing with dolls and makeup as a child, rather than asking if she liked Joan Jett and long guitar solos. It’s a clear reminder that gender is performed and enjoyed in ways as numerous and different as the sum total of humanity, and that we can’t reduce people’s gender expressions to simple categories.

Rob Salerno is a playwright and journalist whose writing has appeared in such publications as Vice, Advocate, NOW and OutTraveler.

Keep Reading

The cover of 'I Remember Lights'; Ben Ladouceur

‘I Remember Lights’ is a time machine trip to Montreal’s gay past

Ben Ladouceur’s rigorously researched new novel is romantic, harrowing and transportive
A black and white photo of speakers at a rally; a sign that says "Love and Let Love" hangs behind them

‘Parade’ invites us to embrace queer history to tackle the present

Noam Gonick’s new documentary turns the spotlight on Canada’s long-overlooked LGBTQ2S+ activists to tell their stories
Countess Luann holding a microphone

Countess Luann on cabaret superstardom, Kenya Moore and life after ‘The Real Housewives’

“Elegance is learned, my friends,” and the Countess’s class is in session
Sam Star with an up arrow behind her; Onya Nurve with a down arrow behind her

‘RuPaul’s Drag Race’ Season 17, Episode 13 power ranking: A frozen final five

No one goes home this week, with one in-season competition episode remaining