Diagnosing Difference

Timely film challenges gender identity disorder


The timely documentary Diagnosing Difference examines the medical community’s ongoing practice of treating people whose gender expression is different from their birth-assigned gender as mental patients suffering from a disorder.

Since 1980, the American Psychological Association (APA) has included “gender identity disorder (GID)” in its Diagnostic and Statistical Manual of Mental Disorders (DSM) — what some call the Bible of psychological treatment.

The DSM shapes how doctors treat those who identify on the trans spectrum (not all people who are gender variant identify as trans), and how gender is treated under the law and in social life.

With the APA set to introduce an update to the DSM in 2012 (only the second revision since 1980), pressure is mounting for the section on GID to be removed or heavily revised.

Some of the talking heads in Diagnosing Difference note that GID diagnosis is for now an unfortunate but necessary tool for them to access medical treatment and eventual legal recognition of their chosen gender. Others say the diagnosis — implying sickness — is stigmatizing — socially, culturally and legally.

One of the key threads of the hour-long doc is that there is no monolithic trans experience or community with clearly defined goals and needs. Each trans person needs to be treated as an individual with unique experiences and desires for their gender expression.

It’s a stunningly obvious conclusion that nonetheless bears repeating for how often it is lost on people obsessed with genital status and normative gender expression.

At one point, a trans person recalls how her doctors asked if she enjoyed playing with dolls and makeup as a child, rather than asking if she liked Joan Jett and long guitar solos. It’s a clear reminder that gender is performed and enjoyed in ways as numerous and different as the sum total of humanity, and that we can’t reduce people’s gender expressions to simple categories.

Rob Salerno is a playwright and journalist whose writing has appeared in such publications as Vice, Advocate, NOW and OutTraveler.

Keep Reading

Bentley Robles

Bentley Robles wants a brotherhood of gay pop stars

The yellow-haired singer talks rising stardom, Zara Larsson and dating while gay-famous
Vivek Shraya being kissed by a man

Vivek Shraya is hot, blond and hitting the dance floor

The Toronto multi-hyphenate’s new album, “VIVICA,” shirks respectability politics for a sensual, high-gloss exploration of queer and trans desire
Morphine Love Dion, Dawn and Morgan McMichaels

‘RuPaul’s Drag Race All Stars 11’ plays it safe for the first bracket—until the very last minute

Already, we see the consequences of only two queens moving forward from each bracket to the semifinals
The cover of Alice Stoehr's Again, Harder. The book has black letters on a lilac background. In the middle of the cover is a red rectangle with a black line drawing of it. The drawing is of two figures entangled; they have human bodies but animal heads. The same image serves as the background behind the image of the book cover.

‘Again, Harder’ captures being part of an in crowd made up of those on the outskirts

Being trans can be a vital way to connect. Author Alice Stoehr illustrates how it can also be the extent of connection
Advertisement