In/Operable identity

“Even though older ladies sometimes mistook me for a boy, my eyelashes would eventually give me away.”

I had the pleasure of meeting 22-year-old Portuguese filmmaker Kayl Worska at Man Up at The Cobalt last night. Worksa’s short film In/Operable, which has previously shown in New York City, is a part of this year’s VIFF.

Worksa told me that he spent all his money on a plane ticket to Canada to attend the festival — money he earned selling figs in his front yard. He was also helped financially by friends, and even an ex-girlfriend, who donated money to help get him across the Atlantic. He’s enjoying Vancouver but complained about the isolation of the people. “Everyone is so cold,” he said. “No one shows their love.” He then gave an example of how warm and tactile friends in Portugal are compared to what he’s observed in Vancouver.

Over David Bowie beats, Worska and I talked about the illusion of gender and the theme of his beautiful short film, about realizing “you can transmute the body, but identity is inoperable.”

Keep Reading

Mia Starr with an up arrow behind her; Vita Vontesse Star with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 5 power ranking: The first heat

We’re at the intermission of the talent show—how did the first six queens fare?
Juicy Love Dion lying down with her mouth open

‘RuPaul’s Drag Race’ Season 18, Episode 5 recap: Survival of the draggiest

Rate-a-Queen returns, and brings with it some strong attempts at strategic gameplay
Several roller derby players cheering while seated

‘Rising Through the Fray’ shows roller derby has no borders

Courtney Montour’s documentary follows a revolutionary Indigenous derby team—in all its beauty and power
Ciara Myst with an up arrow behind her; Briar Blush with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 4 power ranking: In fashion, you’re either in or you’re out

The show basically hands us a power ranking this week, but there’s still much to discuss