Tru Love lives

Age is nothing but a number in this romance flick

It’s possible Tru Love could have been made had Kate Johnston and Shauna MacDonald never met. But it would have been less of a film — literally. Johnston had already written the first draft when the pair first connected on the patio of a Toronto pub. But at that point, she intended it to be a short. When she offered MacDonald the lead role a few weeks later over coffee, MacDonald immediately agreed, but on one condition: she wanted to turn the film into a feature.

Johnston went back to the writing room, this time with MacDonald in tow, and began fleshing out the story.

“The script evolved, devolved and then evolved again,” MacDonald says. “At one point, it nearly became a Hallmark movie, which we both hated. We had no money and thought of selling the script but realized we’d likely lose control of the project. So we dug in our heels and decided to make it ourselves.”

Tru Love pairs two common tropes: the love triangle and the May-December romance. Tru (MacDonald) is a bed-hopping, 30-something dyke. When her hardworking lawyer friend Suzanne (Christine Horne) is stuck at work, she offers to meet Suzanne’s mother, Alice (Kate Trotter), who’s coming for a weeklong visit. But when Alice and Tru embark on an unexpected fling, Suzanne becomes oddly jealous.

While tales of love across an age gap are nothing new, the film puts a unique twist on the well-worn genre.

“There are a million versions of this story with older men and younger women but very few of the reverse, much less lesbian versions,” Johnston says. “I did love The Hunger, though. Catherine Deneuve’s character was hundreds of years older than Susan Sarandon, but being a vampire helped with that sexy, timeless look.”

Tru Love
Thurs, Oct 23, 9pm
ByTowne Cinema
325 Rideau St

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Read More About:
Culture, TV & Film, Arts, Ottawa

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink