Three gay productions among Jessie Award nominees

Lowest Common Denominator picks up two nominations


Three gay productions are in the running for the Jessie Richardson Theatre Awards, honouring the best in Vancouver professional theatre.

Zee Zee Theatre’s Lowest Common Denominator picked up two nominations: Cameron Mackenzie Deveau for Best Direction — Small Theatre and Shawn Macdonald for Outstanding Performance by an Actor in a Supporting Role.

Ga Ting, from frank theatre company, saw Hong Kong television star Alannah Ong nominated for Outstanding Performance by an Actress in a Supporting Role, while Ryan Alexander McDonald has been nominated for Outstanding Performance by an Actor in a Lead Role for his turn in Ghost Light Projects’ production of Hedwig and the Angry Inch.

“I’m so thrilled for Cameron. Cameron has been working so tirelessly to make Zee Zee and everything else he does happen, and so it’s nice that the community sees the quality of work that he’s doing,” says Lowest Common Denominator playwright Dave Mackenzie Deveau of his husband.

Macdonald, who plays the older lover of a precocious 18-year-old in the play about intergenerational gay relationships, was “hugely excited” to hear that he had been nominated, Deveau adds.

Deveau says the show created a compelling dialogue for him. “I was in the lobby for almost every performance, and it was mind-blowing how many people came up to me to have private conversations,” he recalls. “Because I wrote the piece, and so I’m sort of inside that world, they feel a safety to disclose certain things.” He says it was gratifying that the production enabled discussion.

Randie Parliament, the founder of Ghost Light Projects, says he’s proud of McDonald’s performance in Hedwig. Parliament says he’s put on the production three times, and this is the first time it was nominated.

“We didn’t get full houses, but we got standing ovations and mutiple curtain calls every single night,” he says.

Xtra’s attempts to reach frank theatre’s Chris Gatchalian were unsuccessful before posting time.

Avenue Q, which, among other things, affectionately challenges muppets and their closets, picked up two nominations, including for Outstanding Production Musical — Large Theatre. And Speech & Debate, a play about teenage sexuality from Twenty Something Theatre, picked up a nomination for Outstanding Performance by an Actress in a Lead Role — Small Theatre.

 

The nominations for the 32nd annual installment of the Jessie Awards were announced at Vancouver TheatreSports League’s Improv Centre on Granville Island. Awards will be presented June 23 at the Commodore Ballroom.

Natasha Barsotti is originally from Trinidad and Tobago in the Caribbean. She had high aspirations of representing her country in Olympic Games sprint events, but after a while the firing of the starting gun proved too much for her nerves. So she went off to university instead. Her first professional love has always been journalism. After pursuing a Master of Journalism at UBC , she began freelancing at Xtra West — now Xtra Vancouver — in 2006, becoming a full-time reporter there in 2008.

Read More About:
Culture, TV & Film, News, Vancouver, Arts, Theatre

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement