The Reading List: Stonewall, Oreos and Diamond Rings

– It’s Pride season across much of North America. To celebrate New York’s pivotal place in the story of Pride (ie, Stonewall), the New York Daily News has a slideshow detailing some of the history that has happened in the Big Apple.

– Having recently celebrated its 100th anniversary, Oreo decided to send out a little message to its queer fans. Well, some people didn’t like that at all. The Huffington Post looks into it.

– Yesterday, I posted about Dan Savage’s comments on the subject of GOProud’s endorsement of Mitt Romney. Gay news-blog Towleroad looks into his most recent comments, as well as Micheal Musto’s.

– The CBC looks into a recent report published by the Global Commission on Drug Policy, stating that the war on drugs has made the HIV epidemic worse and that drug users are forced to go further underground, away from education sources, harm-reduction outfits and clean needles.

– Diamond Rings has a new video out today. The artist appears in a Klaus Nomi-inspired outfit, while his dancers look like the love child of Tina Turner in Thunderdome meets the downtown New York ball circuit. In other words, awesome.

Journalist, writer, blogger, producer.

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement