Six reasons why queer people should write queer characters

Paul Bellini explains why we should take his sketch comedy writing workshop


There’ll always be queer characters in mainstream comedy, and we should be the ones creating them. At least that’s the contention of Paul Bellini, known for his work writing for TV shows Kids in the Hall and This Hour Has 22 Minutes. His upcoming sketch comedy workshop is aimed at getting queers to write queer characters. Here are six reasons why he thinks this is important.

1. We can make anal sex seem fun (or at least not awful)


(ABC via getawaywithgifs.tumblr.com)

Many straight comedy writers don’t deal well with bum sex. “It’s the most horrible [thing]. It’s rape. You’re going to prison,” Bellini says. “But that’s not the same experience for everybody.” We can show it in a more favourable light.

2. We can do away with “pet fag” characters


(NBC via iquoteteengirl.tumblr.com)

There are many examples in comedy of gay characters that are merely accessories for hot girls. These characters exist to spit out sassy comebacks, and it’s hard to imagine them having any sort of life when they leave the girl’s presence.

3. We can help the straights figure out polyamory

When you have 2 Boyfriends and this is how they look at you and treat you everyday. Winning Keeping it in life #Trouple @NickSanPedro @NebraskaThunderfuck

A photo posted by #DerrickBarry (@derrickbarry) on

It’s about time they got with it, and our characters might show them how. “Straight people have very guarded relationships with each other, and for them to see something like that, and see it work, would be a real eye-opener,” he says.

4. We could put an end to solitary, isolated gay characters.


(ABC via sriszti.tumblr.com)

They’re the ones without partners or a community — “they almost exist in some kind of bizarre isolation,” he says — and it gives the eerie sense they’re being somehow punished for their orientation. No more.

 

5. We can change people’s minds


(OWN via nightfallgoddess.tumblr.com)

Comedy is a powerful tool for influencing people — for changing their minds about things like sex. We can use this. This is especially valuable when writing for a primarily heterosexual, mainstream audience.

6. We should help create the new queer stereotypes.


(Showtime via wifflegif.com)

Stereotypes are necessary for comedy to work, but straights don’t always get them right. We can help introduce the world to better ones. “I’d rather a lesbian write a lesbian character than me,” he says. “I could do a good job, but she’d get it right.”

LGBT Writing Workshop
Saturday, June 18–Sunday, June 19, 2016
The Second City Training Centre, 99 Blue Jays Way, 3rd floor, Toronto
secondcity.com

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Arts, Comedy, Toronto

Keep Reading

Collage of pink-, purple and grey-filtered photos of someone pouring tap beers, empty restaurant tables and chairs, a line of people, and the Rough & Tumble storefront against a blue background

The women’s sports bars offering hope in a time of political uncertainty

Women’s sports bar owners say there’s no time like the present to open their doors
Collage with pink and white shapes and images of a neon "sex shop" sign, mannequins with fetish gear on top of a shelf of costumes, and a hand passing a sex toy to another hand, against a purple background

Can queer sex shops ever truly be radical?

Stores can provide important access to health resources and community—but queerness demands that we dream bigger
Jimmy Heagarty

‘Big Brother 27’ star Jimmy Heagerty is making for great TV. It could be even better with more queer people

By very virtue of their sexuality, queer houseguests cannot have the same experience as their straight competitors

‘RuPaul’s Drag Race All Stars 10’ delivers a wildly entertaining finale—after a waste-of-time semifinals

It’s hard to figure out just what producers were thinking with this merge format