Review: Artpop

Sitting down with Lady Gaga’s newest album

Oh boy. These last few months of 2013 have been the era of the pop diva. We’ve seen Britney, Miley, Katy, Cher and Celine all drop new albums within weeks of each other, and it’s been a battle of the weaves ever since. But always lurking in the background has been Lady Gaga, silently plugging away, while fans await the release of her third studio album. The lead single, “Applause,” was all right, but certainly the rest of the album would be better, right?

No. “Applause” is a very good indicator of what Artpop does wrong, and oh, it does a few things wrong. Opening with “Aura,” which has been appropriated as a soundtrack song for the movie Machete Kills, the song has a lot going on: there’s a sitar, there’s some Auto-Tuning (and a weird faraway quality to her voice), and there’s bass-dropping. It feels like a laundry list of noises to have in a song, and Gaga’s checked all the boxes.

Venus” follows in similar fashion, albeit in a scaled-down fashion, but still commits the same crimes. The songs are heavyhanded on the EDM influences, and the whole thing can be described as just horribly noisy. The one song that, thankfully, escapes the stink is “Do What U Want,” featuring (whoda thunk it) R Kelly, and it is the saving grace of Artpop. With its retro early-1990s R&B thumping, it feels like a song straight out of Top Gun and harkens back to Gaga’s first and best album, The Fame.

By the time the album hits its stride, the cacophony of noise becomes unbearable. “Swine,” “Donatella” and “Fashion!” could probably be good — even great — songs, but it’s almost impossible to hear them. It’s sensory overload.

It’s hard not to like Gaga — “Paparazzi” is and always will be a great song — but Artpop just exacerbates the problem of her schtick. Yes, the woman is talented, but even David Bowie knew when to turn down the theatrics, and when he was theatric, there was something to it. Artpop is theatre for theatre’s sake, the musical equivalent of throwing the kitchen sink at the wall. You’re bound to hit something, but you’re going to have a mess on your hands.

Andrew was formerly the associate editor for Daily Xtra.

Keep Reading

Collage with two hands holding a bat, swinging towards a baseball with a dollar sign on it, against a blue background with a net, baseball player and the Olivia logo on an outfield sign

Why the WPBL partnering with a lesbian travel company matters

Support from lesbian brands and bars harks back to the queer history of women’s sport leagues
Confluence cover

‘Confluence’ brings Vancouver’s queer history to life

The late Alex Turner and his husband, Lucian Childs, have written a unique and rewarding ode to mid-century gay British Columbia

Gaudy goddess: Self-described backwoods Barbie, Dolly Parton, chats about boobs, Broadway and battling hate

Revisiting Matt Thomas’s interview with the legend, originally published in fab Magazine in 2009

Dolly Parton was all of our chosen family

The superstar, who passed away at age 80, was always there for her queer fans. We collectively mourn her loss
Advertisement