Regency-era gender play

An all-female adaptation of Pride and Prejudice

Hallie Burt and Kate Werneburg have somehow managed to make their original theatrical adaptation of Jane Austen’s Pride and Prejudice sexy. Burt says the sexiness is all in the tension that results from holding back. “You did not touch anyone then and if you did, you had a glove on,” she says. “It’s like all I can do is talk very properly to you, but all I want to do is rip your clothes off.”

This makes for an exciting version of the story, especially since this is a two-woman production, with Burt and Werneburg playing all the parts. With Burt, who identifies as lesbian, as Elizabeth Bennet and Werneburg playing Mr Darcy, the love story takes on a novel appeal. “Kate and I are good friends and we’re very competitive, so it wasn’t hard to find that tension,” Burt says.

They’ve also made the character Charlotte Lucas a lesbian (she has often been speculated to be so). They never explicitly state it in the play or try to make Charlotte, played by Werneburg, somehow seem lesbian in spite of the gender switch — the adaptation is too true to Austen’s story for that — but this understanding of Charlotte’s orientation has in subtle ways guided how they’ve developed that character.

Burt and Werneburg didn’t alter the genders to make some grand argument, although they’re happy to have other people find some gender-related enlightenment in the plot. It was more that they’re good friends and wanted to perform in a play together and both happen to be female. They also wanted to take on the challenge of playing both female and male parts and do it well enough that audiences wouldn’t object.

Elizabeth–Darcy: An Adaptation of Pride and Prejudice
Thurs, Dec 18–Sun, Dec 21, various showtimes
Campbell House
160 Queen St W
elizabethdarcy.brownpapertickets.com

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
TV & Film, Culture, News, Arts, Toronto, Canada, Theatre

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink