Party vs Partay…how it all played out this past weekend

As I had hoped, those who were able to tote around cameras during Pride Week, have been busy posting videos and photos to YouTube and Facebook. Here are some videos of Nina Flowers at Rapture on Sunday…

(Thanks to Anna for photo)

…though before we go on, I would like to say this. Big Roger’s parties were competing against TFD Productions Rapture parties once again this year. In the battle of the Vancouver party producers, here’s what went down:

  • This year, Big Rogers cancelled his Sunday party.
  • This year, TFD Productions’ Rapture Sunday sold out.

On to the videos:

Oh Nina Flowers – you are TERRIFYING in your supreme-drag-being awesomeness.

Let’s face it: Nina Flowers is what happens when sexy meets fabulosity in the dark alley that is life. Her performance was high-calibre circuit insanity, the likes of which may never be seen in Vancouver again.

Oh girl…when she sprayed that water on herself I just about died. Yeah she did. It was a hot swampy mess in there and she still owned every second of her performance. I love you, Nina!!! Thanks for the photo after your last performance – it’ll be in the next issue of Xtra West.

And not only did Tommy D throw two of the best events I’ve ever attended, he also killed it on the stage:

 

Keep Reading

Juicy Love Dion crying in Athena Dion's lap

How ‘RuPaul’s Drag Race’ Season 18 went off the rails

After a streak of strong flagship seasons, the MTV era saw its first real disappointment. What went wrong?
Juicy Love Dion with an up arrow behind her; Athena Dion with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 15 power ranking: Battle of the queens

Ten eliminated competitors returned for the LaLaPaRuZa, but who won?
Discord Addams and Jane Don't

‘RuPaul’s Drag Race’ Season 18, Episode 15 recap: All Ru, all the time

This season’s LaLaPaRuZa is all about Mother
The cover of Work to Do by Jules Wernersbach; Jules Wernersbach

‘Work to Do’ shows just how dramatic a grocery store can get

Jules Wernersbach’s energetic novel delves into the intricacies of queer entrepreneurship, climate change—and class revolt
Advertisement