Panti Bliss graces Montreal

The Irish drag queen has got something to say


Irish drag queen and “accidental activist” Miss Panti Bliss became a YouTube sensation in January 2014 when she walked on the stage at the Abbey Theatre in Dublin and gave a touching and memorable speech on homophobia. The video of that speech went viral — it has been seen more than 700,000 times on YouTube — and landed her a North American lecture tour.

Upon her return to Dublin, publishing house Hachette Books Ireland asked Panti (aka Rory O’Neill) to write her memoirs, Woman in the Making. Panti is cross-promoting the book during her current Canadian lecture tour, which makes a pitstop at Concordia University in Montreal on Feb 16.

“The turnaround on the book was less than six months,” Panti says. “But saying I cashed in suggests I was given loads of money, and I wasn’t. It is part memoir, part rant. And I have two chapters about the aftermath of my lecture at the Abbey Theatre. It was an insane period in my life, exciting and exhilarating.”

O’Neill’s new lecture, “Gender Performed: A Conversation about Sex, Gender, Theatre and Politics,” has been a long time in the making.

“It’s a conversation about gender, a topic I’ve spent a lot of time thinking about over the years, whether it is socially constructed and something we just learned to perform. I’ve never been happy with the descriptions people generally use to describe what I do because I’ve never felt like I’m impersonating a female. That is something that is thrown at drag queens sometimes by a subsection of feminists: ‘Isn’t it like blackface?’”

O’Neill is having none of that.

“First of all, there’s a billion kinds of drag queens in the world with different motivations, and some of them might be horribly misogynist, so I can only speak for myself. When I’ve done drag, I’ve always rejected terms like ‘female impersonator’ because that’s not what I’m doing. As for drag queens being bitchy, they’re just being themselves! If I am parodying anything at all, it is the tools our society expects women to use to express their femininity. What I’m really doing is taking those tools — makeup, big hair and sequins — that our society decided women have to use and that men are not allowed to use.”

 

O’Neill agrees that some drag queens cross the line. “Part of the problem is the bar for entry to drag is set pretty low. Most people don’t see drag or much of it, and when they do, it’s usually in some trashy bar. Other queens are just out to have a good time and put little intellectual thought into what they’re doing. They just see it as a way to get a few free drinks. But how can you compare what a Taylor Mac does to your trashy drag queen in a club? There are so many different kinds of drag queens.”

Meanwhile, O’Neill is of two minds when it comes to using the word tranny. In 2013, on Joan Rivers’s internet TV series In Bed with Joan, RuPaul discussed being slammed by the trans community for using the word. “The trannies should know that a nigger said it to a kike. Here we go again. Calm down, for chrissakes! Everybody take a deep breath, ” Rivers later told Daily Xtra.

“That issue is really complicated because it’s two different worlds colliding,” O’Neill says. “It’s interesting that a lot of the trans people who were okay with using the word were the ones who came into their trans identity a long time ago, pre-internet. A lot of trans people at that time came up through the drag-genderfuck scene, then emerged one day and said, ‘I’m a trans woman.’ In that world, the term tranny isn’t specific to trans people; it’s a catch-all word for all people who don’t fit into the gender binary. Other people outside that community have taken that word and turned it into an insult. The problem is, certainly in the world I run in, there are lots of people who identify as tranny, not as trans. They don’t believe they are a woman; they are something else, and they call themselves ‘tranny.’

“When I am at a party and my friends don’t know that a person identifies as trans or as a transvestite or drag queen, they’ll say, ‘Oh, there are trannies in the corner.’ If I am hanging out with my genderfuck friends, they’ll get annoyed if I don’t use the word tranny. That said, I would never call anybody a tranny in public. I don’t want to upset or hurt anybody.”

Richard "Bugs" Burnett self-syndicated his column Three Dollar Bill in over half of Canada's alt-weeklies for 15 years, has been banned in Winnipeg, investigated by the Royal Newfoundland Constabulary over charges TDB was "pornographic", gotten death threats, outed politicians like former Parti Quebecois leader Andre Boisclair, been vilified in the pages of Jamaica's national newspaper The Gleaner for criticizing anti-gay dancehall star Sizzla (who would go on to write the 2005 hit song "Nah Apologize" about Burnett and UK gay activist Peter Tatchell), pissed off BB King, crossed swords with Mordecai Richler, been screamed at backstage by Cyndi Lauper and got the last-ever sit-down interview with James Brown. Burnett was Editor-at-Large of HOUR until the Montreal alt-weekly folded in 2012, is a blogger and arts columnist for The Montreal Gazette, columnist and writer for both Fugues and Xtra, and is a pop culture pundit on Montreal's CJAD 800 AM Radio. Burnett was named one of Alberta-based Outlooks magazine's Canadian Heroes of the Year in 2009, famed porn director Flash Conway dubbed Burnett "Canada’s bad boy syndicated gay columnist" and The Montreal Buzz says, "As Michael Musto is to New York City, Richard Burnett is to Montréal."

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