Out, proud and bloodthirsty

Chris Dupuis highlights some of the homegrown queer flicks on offer at this year's TIFF


The unique twist on the coming-out story is practically a genre of its own. But writer/director Jeremy LaLonde’s Out succeeds in being a genuinely fresh walk down this well-worn path. Geoff (David Tompa) is a soft-spoken 20-something who’s never brought a girl home. When he has an announcement for his urban-living, liberal-minded parents, Mitch (David Huband) and Cindy (Rosemary Doyle), they’re ready for his revelation of queerness with open arms. So they’re surprised when he turns up for dinner with Kezia (Tommie-Amber Pirie), a pale-faced stranger who shares his secret.

Though they expect him to reveal his love of cock, it’s his love of blood he’s there to share. Geoff isn’t gay — he’s a vampire.

“It’s easy to tell a coming-out story in a way that’s dramatic and torturous,” LaLonde says. “But you can bring a lot more people in with a lighter, more satirical take. I’ve had a few friends who’ve gone through the process, only to find their parents already knew and had made peace with it, so they’re making a big deal out of nothing. I was interested in a version of that story that’s unique but also easily relatable.”

A graduate of Niagara College’s film program, LaLonde first conceived the piece while part of an online writers’ group. Different topics were proposed each session, and when the theme of vampires arose, his creative juices began flowing. “I’m not a horror filmmaker to begin with, so I started to wonder what I could do with the genre that was unique,” he says. “If you’ve recently become a vampire, your family’s obviously still alive, so you have to go and tell them. That brought the obvious parallel with coming out as gay.”

Since he identifies as straight, LaLonde spent a lot of time talking with friends about their own stories, intent on making something that was honest without being voyeuristic or exploitative.

“I definitely considered whether it would come up that I’m telling a story that’s outside of my realm,” he says. “How could a coming-out story possibly be personal to someone who’s not gay? But I think everyone has some kind of coming-out experience, where you have to reveal something about yourself to your family you’ve kept hidden. There’s the obvious story of coming out in terms of sexuality, but it could also be telling your family of doctors and lawyers you want to be an artist.”

 

Sun, Sept 8, 2:30pm
Mon, Sept 9, noon

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Read More About:
TV & Film, Culture, Toronto, Arts

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink