Life moves pretty fast

Whew! I’m still reeling from Black Thursday — the day that Twitter, Facebook and LiveJournal were all down! Simultaneously! For hours! I HAD TO GO OUTSIDE!

Who was responsible? San Francisco columnist Mark Morford says some hope it was Jesus, while I’m more inclined to blame the scary Egyptian-statue-that-looks-like-Michael-Jackson:

I mean, without Facebook or Twitter, I might not have discovered the final word on this year’s Friends for Life Bike Rally — for those of you who’ve asked me about it since I got back, this video from writer/editor Jaime Woo sums up the whole wild week beautifully:

Without social media sites, I was forced (forced!) to watch TV soap operas — though mind you, ‘One Life to Live’ is getting awfully interesting lately:

But the one seriously sour note about yesterday was the untimely passing of writer/director John Hughes, not as big an ’80s icon as Jackson but arguably just as influential. Hughes created some indelible comedy characters like Ferris Bueller, Clark Griswold and Del Griffiths but will be best remembered for his teen films including ‘Sixteen Candles’ and ‘The Breakfast Club.’

 

I don’t recall a single gay character from Hughes’ movies (only some unpleasantly frequent use of the word ‘fag’ in ‘Weird Science’) but as a budding homo in the ’80s, I was inspired by them anyway. Not only were Hughes’ movies stuffed with freaks, geeks and outsiders but these people were actually celebrated. Duckie in ‘Pretty in Pink,’ for instance, is the movie’s real hero and while he wasn’t actually gay, his flamboyant new-wave nerdiness still read as such to audiences, who loved him in spite or because of it.

Hughes’ movies laughed at people for their differences but more importantly, laughed at how arbitrary and silly those differences are. In his world, even the wildly mismatched Steve Martin and John Candy in ‘Planes, Trains and Automobiles’ could get over their mutual loathing and goofy gay panic and become friends. As the jock in ‘The Breakfast Club’ admitted, “We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.”

John Hughes made a lot of kids feel better about their lives. May he rest in peace:

A former editor of the late, lamented fab magazine, Scott has been writing for Xtra since 2007 on a variety of topics in news pieces, interviews, blogs, reviews and humour pieces. He lives on the Danforth with his boyfriend of 12 years, a manic Jack Russell Terrier, a well-stocked mini-bar and a shelf of toy Daleks.

Keep Reading

The cover of Charity and Sylvia

‘Charity and Sylvia’ beautifully illustrates a real-life 19th-century lesbian couple

Tillie Walden’s new graphic novel tracks the true story of Charity Bryant and Sylvia Drake’s decades-long New England romance
Portland Fire guard Bridget Carleton (6) drives against Toronto Tempo forward Nyara Sabally (8).

The Toronto Tempo are a much-needed source of hope and connection for Canada’s queer community

Women’s sports are booming in North America. Canada’s first WNBA team is meeting the moment

Should AI use stop you from seeing ‘Stop! That! Train!’?

Director Adam Shankman told Xtra that the film actually did use some AI in its visual effects
Marcia Marcia Marcia, Brooke Lynn Hytes, and Symone in STOP! THAT! TRAIN!

‘Stop! That! Train!’ director Adam Shankman says the movie used AI

Shankman sat down with Xtra to talk RuPaul, modern gay cinema—and exactly how much AI was used in his film
Advertisement