Lakshmi Piepzna-Samarasinha launches latest works in Ottawa

Author discusses her new memoir and latest book of poetry


Lambda Literary Award–winning author Leah Lakshmi Piepzna-Samarasinha will soon hold the Ottawa launch for her two latest works, Bodymap and Dirty River: A Queer Femme of Color Dreaming Her Way Home. The Toronto-based writer, performer and educator identifies as queer, disabled and a woman of colour. She writes about topics such as disability, surviving abuse and being a femme of colour.

She is the author of Love Cake (for which she won the Lambda for Lesbian Poetry in 2012) and Consensual Genocide, and co-editor of The Revolution Starts at Home: Confronting Intimate Violence in Activist Communities. Her writing has been published in several anthologies. She is currently co-director of Mangos With Chili, a touring cabaret for queer and trans people of colour.

Daily Xtra caught up with the author for a quick chat about her upcoming launch.

Daily Xtra: Your memoir Dirty River: A Queer Femme of Color Dreaming Her Way Home just came out and you’re about to have your Ottawa launch. Can you tell us a bit about the book?

Dirty River is the memoir I’ve been working on for a decade. It’s the story of me running away from the US to Toronto in 1997 — away from an abusive family and toward burgeoning queer punk-of-colour, anti-colonial feminist-of-colour and Sri Lankan/radical South Asian communities. I’ve been calling it a choose-your-own-adventure queer brown disabled femme’s abuse survivor memoir. I wanted to write a story that is really under-told, and needed to be told — one queer brown femme surviving abuse in real life story. As I say in the opening preface, “This book isn’t The Courage to Heal, and it isn’t Push.” I wanted to capture all the crazy amazing ways we heal and decolonize ourselves and make diasporic community, through homemade queer Diwalis and fucked-up, transformative relationships. Toronto’s QTPOC [queer and trans people of colour] community in the late 1990s was so vibrant, with things like the queer radical South Asian festival Desh Pardesh and queer women-of-colour publisher Sister Vision Press doing things no one else was doing. I wanted to capture that time.

You’re also launching your poetry collection, Bodymap, at the same event. Please tell me a bit about that.

Bodymap is my third book of poetry, and my first since I won the Lambda Award in 2012. It contains a lot of poems coming out of my work with the disability justice movement, which is a movement [focused on] queer and/or people-of-colour with disabilities, which I first came in contact with through working with the performance collective Sins Invalid. It’s about mapping the body’s stories — queer-of-colour love, sex and disaster, long-term abuse survival and transformative justice, and QTPOC disabled culture.

 

Why should people come to the launch?

Because it’ll be some kind of queer brown femme crip literary utopia for one night only.

Book Launch for Dirty River and Bodymap
Wednesday, Oct 21, 2015, 7:30pm
Venus Envy, 226 Bank St, Ottawa
venusenvy.ca

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Books, Ottawa, Arts

Keep Reading

‘Canada’s Drag Race’ Season 5, Episode 5 power ranking: Grunge girls

To quote Garbage’s “When I Grow Up,” which queen is “trying hard to fit among” the heavy-hitter cast, and whose performance was “a giant juggernaut”?

‘Canada’s Drag Race’ Season 5, Episode 5 recap: Here comes the sunshine

We’re saved by the bell this week as we flash back to the ’90s

A well-known Chinese folk tale gets a queer reimagining in ‘Sister Snake’

Amanda Lee Koe’s novel is a clever mash-up of queer pulp, magical realism, time travel and body horror, with a charged serpentine sisterhood at its centre

‘Drag Race’ in 2024 tested the limits of global crossover appeal

“Drag Race” remains an international phenomenon, but “Global All Stars” disappointing throws a damper on global ambitions