In search of my personal JC

Shaking the Jesus willies


The last time I went to midnight mass was in 2001. I was living in San Francisco and still shell-shocked from the events of 9/11.

There were three of us: a Druid; a Muslim; and myself, a recovering Catholic.

Mass was my idea, under the auspices of “You can’t call yourself a San Franciscan until you’ve done midnight mass at Mission Dolores.” The truth being, I was afraid this might be the end of times, and like any “sinner” confronting his mortality, I was secretly bargaining with God.

Somewhere between the angel appearing to Mary and the Three Kings, the Muslim fell into a K-Hole.

As we carried him through the capacity crowd, I asked the Druid, “Why can’t we have nice things?”

“Because Jesus hates fags,” he said.

Jesus Christ has scared the hell out of me since I was a kid.

Growing up, there was a foot-tall statue of him on my dresser, gushing enough blood to give Mel Gibson a hard-on. He was my mother’s surrogate eyes —a security camera of the soul —staring at me savant-like when I masturbated.

I once got in trouble for covering his face with a picture of Lee Majors.

One Christmas, my mother’s favourite son —my cousin, The Priest —sent me a fetus-sized ceramic baby Jesus.

“What the hell am I supposed to do with this?” I asked a friend.

“Use it for a door stop.”

“I can’t. He’s just a baby.”

For years, I arranged my collection of South Park piggy banks around him, creating a sort of Nativity for the New Millennium. It never ceased to amuse and was the subject of the most profound meditation on religion and pop culture I’ve ever heard.

Nonetheless, I experienced a pang of Catholic guilt for warping the spirit in which the gift was offered; guilt that was remedied by another brandy.

After my parent’s house was sold my sister asked if there was anything I wanted.

“I’ll take Jesus.”

“Which one? There’s so many.”

“The one on my dresser.”

It didn’t occur to me Jesus had since moved to greener pastures; as a result my sister sent me every Jesus but.

Now whenever I bring someone back to my apartment I feel compelled to explain, “Don’t be frightened by Jesus; it’s only Portuguese kitsch.”

Cavalier though I may be, my faith in agnosticism is often questioned; I’ll panic and wonder, “What if the Catholics are right? What if I’m going straight to hell?”

“For what?” I’ll remind myself.

The last time I saw Jesus he was sitting on the dresser in my mother’s room at the nursing home.

 

He still gives me the willies. But he would look fabulous in my apartment.

Tony Correia is a Vancouver-based writer who has been contributing to Xtra since 2004. He is the author of the books, Foodsluts at Doll & Penny's CafeSame LoveTrue to You, and Prom Kings.

Keep Reading

Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
John Early in Maddie's Secret holding two jars above an open box

‘Maddie’s Secret’ is the movie about eating disorders we need

John Early’s pastiche of after-school specials mixes belly laughs with gut punches. It’s a rare masterwork
Advertisement