From ‘Ocean Blue’ to ‘My Prairie Home’

Musician Rae Spoon gets around

This is the year of Rae Spoon. The Alberta-born singer/songwriter has been busy and has been gaining wider public attention — and not only in their music career (Spoon prefers the gender-neutral pronoun “they”).

In 2012, the release of Spoon’s seventh album, I Can’t Keep All Of Our Secrets, followed by a collection of autobiographical short stories, First Spring Grass Fire (nominated for a Lambda Literary Award), was only the start of this wider recognition. They also toured all over the continent with writer/performer Ivan Coyote with their music-infused two-parter reading series, Gender Failure. Now, Spoon is on the cover of NOW magazine, with Spoon speaking about their new album and a documentary about their childhood home, both titled My Prairie Home.

Their seductive Death in Venice–inspired music video for “Ocean Blue” was a major highlight from I Can’t Keep All Of Our Secrets, and one of my most listened-to songs of 2012, so I’m looking forward to the year of Rae Spoon ahead!

Michael Lyons is a queer-identified, chaotic neutral writer, activist, misanthrope, sapiosexual, and feline enthusiast. He is a columnist, blogger and regular contributor with Xtra and has contributed to Plenitude Magazine, KAPSULA Magazine, Crew Magazine, Memory Insufficient e-zine, The Ryersonian, Buddies Theatre blog, Toronto Is Awesome blog and Fab Magazine and more.

Read More About:
Culture, Music, Toronto, Ottawa, Vancouver, Canada, Arts

Keep Reading

‘Canada’s Drag Race’ Season 5, Episode 5 power ranking: Grunge girls

To quote Garbage’s “When I Grow Up,” which queen is “trying hard to fit among” the heavy-hitter cast, and whose performance was “a giant juggernaut”?

‘Canada’s Drag Race’ Season 5, Episode 5 recap: Here comes the sunshine

We’re saved by the bell this week as we flash back to the ’90s

A well-known Chinese folk tale gets a queer reimagining in ‘Sister Snake’

Amanda Lee Koe’s novel is a clever mash-up of queer pulp, magical realism, time travel and body horror, with a charged serpentine sisterhood at its centre

‘Drag Race’ in 2024 tested the limits of global crossover appeal

“Drag Race” remains an international phenomenon, but “Global All Stars” disappointing throws a damper on global ambitions