Arrested development

Filmmaker John Greyson debuts short film based on his imprisonment in Cairo


John Greyson didn’t waste any time turning his detention into a piece of art. Created using a series of drawings made after he was arrested in Egypt, his short film Prison Arabic in 50 Days was shot less than 24 hours after he landed in Canada. Both a thank-you to everyone who’d fought for his release and an attempt to communicate something about the experience, the piece was created in his garden with fellow prisoner Tarek Loubani and Greyson’s sister Cecilia.

Using the backs of cigarette packages (mostly Marlboros, occasionally Cleopatras), the cards feature words in Arabic and English relevant to their imprisonment. Guard, door, window, breakfast, shower; each term is accompanied by an image that hints at, but doesn’t tell, the whole story.

The cards were part of a larger series of drawings Greyson created during that period.

“I also worked on portraits of fellow prisoners, drawn on the cardboard packaging from T-shirts and underwear,” he says. “We recycled everything. Those materials were allowed after a few weeks, along with notebooks, pens and pencils. But the guards could arbitrarily confiscate stuff at any time.”

Detained on Aug 16, 2013, Greyson and Loubani were planning to head to Gaza but were swept up during a massive crackdown by authorities in Cairo amid a series of violent protests. Loubani, a doctor, was going to carry out medical relief work as part of an exchange organized by the University of Western Ontario. Greyson was investigating the possibility of making a film about life in the occupied territories and was planning to shoot some preliminary footage. The pair, along with 38 others, were arrested and held without charges by Egyptian authorities.

Though he certainly considered the possibility he would turn his incarceration into art while it was happening, Greyson was doubtful the flashcards and drawings he made would be a part of it.

“The other stuff, the writings and the drawings we made, were smuggled out in Tarek’s underwear,” he says. “But the flashcards were carried out in a plastic bag. Right up until the last minute we were released, I was sure they’d be taken.”

Prison Arabic in 50 Days
The Parkdale Film and Video Showcase
Fri, Aug 8, 8pm
The Rhino, 1249 Queen St W
parkdaleshowcase.ca

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Read More About:
Culture, TV & Film, News, Canada, Toronto, Arts

Keep Reading

‘RuPaul’s Drag Race All Stars 10’ delivers a wildly entertaining finale—after a waste-of-time semifinals

It’s hard to figure out just what producers were thinking with this merge format
Andrea Gibson, left, and Megan Falley, the subjects of the film "Come See Me in the Good Light," pose for a portrait during the Sundance Film Festival on Saturday, Jan. 25, 2025, in Park City, Utah.

Andrea Gibson helped me see life in the good light

Gibson’s poetry about queerness and mortality taught thousands of people how to reject apathy and embrace life
Collage of greyscale photos of a sofa, chair, shelf and the lower bodies of two people, against a purple and pink background

We need queer gathering spaces more than ever

The 11-part series “Taking Space” explores where we go next as the lights of gay bars dim

Summer 2025 is all about the moustache

OPINION: But never forget that a silly little moustache will always be a little bit gay