1981 FM

Throwdown Collective presents an afternoon gone awry


Rehearsing outside has its ups and downs. While it saves cash-strapped artists on studio rental, it also requires incredibly flexibility. Passersby stop and gawk. Pigeons land in the middle of scenes. The weather doesn’t always cooperate. But for the Throwdown Collective (Mairéad Filgate, Zhenya Cerneacov and Brodie Stevenson), it’s both essential to the work and a hell of a lot of fun.

“We were working on this spot under the DVP for a few weeks and a security guard came by and kicked us off because he said we were wrecking the grass,” Filgate says. “At the same time it’s great because people stop to watch and talk to us. Someone asked me a few weeks ago if I was practising to be a stripper. We’ve been joking that we’re doing outreach for the show.”

Called 1981 FM, the company’s third collaboration was created especially for Dusk Dances. Now in its 19th year, the annual outdoor event brings choreography to parks around the province each summer.

“It’s one of my favourite events because it combines all the things that are important to me,” Filgate says. “It’s an outdoor venue, so some people are just happening upon it, and it feels like you’re connecting with an audience who wouldn’t normally see something like this. You feel like you’re really in contact with people because you’re not on a stage. There’s the element of unpredictability, so you have to be flexible and spontaneous, but that means every performance is unique.”

1981 FM makes use of an unwieldy prop: a Chevrolet Chevette from the same year. Decked in secondhand-store costumes dating from the period, the trio use their signature acrobatic style of performance to tell the loose story of an afternoon drive gone wrong.

“The car alone has been a logistical nightmare,” Filgate says with a laugh. “The week after we got kicked out of the rehearsal spot it burst into flames. We had to spend a lot of money to make it function, but it’s totally worth it. Every time we drive it around we get catcalls.”

1981 FM, presented as part of Dusk Dances
Created by Mairéad Filgate, Zhenya Cerneacov and Brodie Stevenson
July 30-Aug 4, 7pm
Withrow Park, south of the Danforth, between Logan and Carlaw
PWYC (suggested $10 donation)
duskdances.ca

 

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Read More About:
Culture, Toronto, Arts

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink