Not so black and white

A new play about the complexities of homophobia and race


Being an ally is complex. On one hand, many of us attempting to support marginalized groups have some experience of marginalization ourselves. At the same time, suggesting we understand the experiences of people living in bodies that are not our own often serves to alienate the very people we’re trying to connect with.

Playwright Andrew Kushnir’s Small Axe started with precisely this sort of exchange. Discussing experiences of homophobia with a gay Jamaican-Canadian friend in 2007, he felt a click.

“I was making an exciting link and I remember feeling, ‘Holy shit! Even though you’re black and I’m white, as gay men, we basically have the same story,’” Kushnir says. “With lots of love, my friend said that while there were similarities, it’s not exactly the same.”

A major moment of connection for Kushnir was precisely the opposite for his friend. Replaying the exchange, he wrestled with why his response was problematic, which led him to research how virulent and violent homophobia can be in parts of Jamaica. He found himself wanting to create awareness around the issue but gradually discovered why it can be problematic for white artists to take on these challenges. Instead of appropriating other people’s experiences, he chose to let them speak for themselves.

Conceived as documentary theatre, Small Axe is based on countless interviews Kushnir conducted with a number of queer people of Jamaican decent. Gareth Henry was one of the initial subjects he interviewed, and Henry became an informal cultural consultant on the project.

“It’s important to utilize every medium available to inspire shifts in people’s thinking and behaviour,” Henry says. “Theatre is a compelling way to get the message across and create awareness around social issues. It’s great at bringing together multiple perspectives. When you’re talking about the intersection of race, culture and class, it’s a strong way to fathom that complexity.”

Small Axe
Until Sun, Feb 1
The Theatre Centre, 1115 Queen St W
tickets.ticketwise.ca/event/smallaxe

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Read More About:
Culture, News, Theatre, Arts, Toronto, Hate Watch

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink