Coming out, La Gallienne style

Margo MacDonald brings the fascinating life of a NYC theatre diva to the stage

Theatre creator Margo MacDonald came out of the closet with the help of 1930s actress Eva Le Gallienne.

A New York City theatre diva, Le Gallienne was outed by the media at the height of her career when her lover, Josephine Hutchinson, divorced her husband to be with Le Gallienne. As if the difficulties surrounding her sexuality weren’t enough, Le Gallienne was soon disfigured and nearly killed in a gas explosion. “It kind of destroyed her,” MacDonald says. “She’d always had a bit of a problem with alcohol, but after that she became a volatile alcoholic. She went back to the stage, but it was very difficult for her.”

When MacDonald first heard of Le Gallienne, she became fascinated by the actress’s personal struggle and lasting influence on the theatre scene, as founder of the Civic Repertory Theatre. Le Gallienne’s tale was also particularly relevant to MacDonald’s own life. “I found her story when I was just starting to come out to myself. In going through the journey of figuring out who I was, coming out, and trying to figure out what that would mean for my theatre career, I found that part of Eva’s story inspiring,” she says.

Dismayed that hardly anyone knows Le Gallienne’s story, MacDonald decided to write a play based on it to give others “a chance to discover who she was, and so that she’s not forgotten.” When the play, called Shadows, had its successful first production at the 2010 Ottawa Fringe Festival, it was not only Le Gallienne’s resurgence, but MacDonald’s as well. “For anyone who had eyes to see, that production was my coming-out party,” MacDonald says.

Shadows made its way to Toronto in autumn of 2013, with a staged reading at Buddies in Bad Times Theatre. The first full production outside Ottawa will soon be mounted at Videofag in Kensington Market.

Shadows runs Fri, April 11–Sat, April 19, at Videofag, 187 Augusta Ave. videofag.com

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Canada, Theatre, Arts, Toronto

Keep Reading

Bentley Robles

Bentley Robles wants a brotherhood of gay pop stars

The yellow-haired singer talks rising stardom, Zara Larsson and dating while gay-famous
Vivek Shraya being kissed by a man

Vivek Shraya is hot, blond and hitting the dance floor

The Toronto multi-hyphenate’s new album, “VIVICA,” shirks respectability politics for a sensual, high-gloss exploration of queer and trans desire
Morphine Love Dion, Dawn and Morgan McMichaels

‘RuPaul’s Drag Race All Stars 11’ plays it safe for the first bracket—until the very last minute

Already, we see the consequences of only two queens moving forward from each bracket to the semifinals
The cover of Alice Stoehr's Again, Harder. The book has black letters on a lilac background. In the middle of the cover is a red rectangle with a black line drawing of it. The drawing is of two figures entangled; they have human bodies but animal heads. The same image serves as the background behind the image of the book cover.

‘Again, Harder’ captures being part of an in crowd made up of those on the outskirts

Being trans can be a vital way to connect. Author Alice Stoehr illustrates how it can also be the extent of connection
Advertisement