Sharron Matthews isn’t afraid of the dark

See the Buddies cabaret artist-in-residence's frightening new work

Cabaret sensation Sharron Matthews presents dark, sexy and honest stories in Full Dark: Part Deux. Earlier this year, Matthews became Buddies in Bad Times’ first-ever cabaret artist-in-residence as part of the theatre’s artist-residency program. It promotes queer performance by providing “space and time in the theatre along with dramaturgical, technical, production and administrative support,” Matthews says, noting this effectively means she has a “space to put on new stuff in front of people without the stress of solo producing.”

She took full advantage of her new position in the March workshop Full Dark, which focused on serious, edgy stories (akin to Grimms’ Fairy Tales) about topics such as bullying, dangerous sex and growing up fatherless. Matthews used a method she calls “songalogues”: like monologues but told with the aid of music from artists like Florence and the Machine, Beyoncé and the Righteous Brothers.

Full Dark’s material was only partially rehearsed, left somewhat raw so audiences could see firsthand how a performance becomes polished. Matthews presented one piece about what happens after death without knowing how it would finish, creating an ending onstage. She says she thought, “Oh my god, this is how it ends!” just before “the audience went wild!” The second installment of the show, Full Dark: Part Deux, employs the same methods but features all new material. Matthews provides an example of a piece she might do: “I think I’ll do a dark, kinky version of Little Red Riding Hood that explores the premise ‘What if she knew what she was going into the forest for?’”

Full Dark: Part Deux is Sat, Aug 17, and Sun, Aug 18, at Buddies in Bad Times, 12 Alexander St

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Toronto, Arts, Theatre

Keep Reading

Bentley Robles

Bentley Robles wants a brotherhood of gay pop stars

The yellow-haired singer talks rising stardom, Zara Larsson and dating while gay-famous
Vivek Shraya being kissed by a man

Vivek Shraya is hot, blond and hitting the dance floor

The Toronto multi-hyphenate’s new album, “VIVICA,” shirks respectability politics for a sensual, high-gloss exploration of queer and trans desire
Morphine Love Dion, Dawn and Morgan McMichaels

‘RuPaul’s Drag Race All Stars 11’ plays it safe for the first bracket—until the very last minute

Already, we see the consequences of only two queens moving forward from each bracket to the semifinals
The cover of Alice Stoehr's Again, Harder. The book has black letters on a lilac background. In the middle of the cover is a red rectangle with a black line drawing of it. The drawing is of two figures entangled; they have human bodies but animal heads. The same image serves as the background behind the image of the book cover.

‘Again, Harder’ captures being part of an in crowd made up of those on the outskirts

Being trans can be a vital way to connect. Author Alice Stoehr illustrates how it can also be the extent of connection
Advertisement