You gotta have Hart

Chicago hits the Toronto stage

There were so many reasons to see Chicago when it came through town last year, and now, all those reasons are moot because of one stellar reason – Chita Rivera.

For every boy or girl with a song in their DNA, Chita Rivera should be on the top of your list of things to see. Whatever star quality is, she’s got it and she’s spreadin’ it around.

Stripped to the essentials – minimal set and, oh yeah baby, minimal costumes – this production is funny, sexy and truly black hearted.

The cast is strong and deliciously larger than life. Marcia Lewis recreates her Tony-Award-winning performance as Mama Morton, the diesel powered dynamo. Ernie Sabella as Amos Hart sings a mean “Mr Cellophane” and Michael Berresse as lawyer Billy Flynn is an oil slick.

Truly delightful, Stephanie Pope as Velma Kelly is long, tall, lean and beautiful. She uses her magnificence to awe inspiring effect. Vavoom.

And Chita as Roxie Hart – splendid!

Unfortunately, the pairing of Rivera and Pope as attention seeking rivals in a women’s prison doesn’t work. So stylistically different are the two, it’s impossible to see them as threats to each other. Do apples square off against oranges?

But this musical’s payload is so rich that it’s worth going the extra distance, doing a little math, and making it all work out in your head.

Chicago continues at the Princess Of Wales Theatre (300 King St W) till Fri, Feb 26. Tix are $20 to $93; call (416) 872-1212.

Read More About:
TV & Film, Culture, Toronto, Arts, Theatre

Keep Reading

Jimmy Heagarty

‘Big Brother 27’ star Jimmy Heagerty is making for great TV. It could be even better with more queer people

By very virtue of their sexuality, queer houseguests cannot have the same experience as their straight competitors

‘RuPaul’s Drag Race All Stars 10’ delivers a wildly entertaining finale—after a waste-of-time semifinals

It’s hard to figure out just what producers were thinking with this merge format
Andrea Gibson, left, and Megan Falley, the subjects of the film "Come See Me in the Good Light," pose for a portrait during the Sundance Film Festival on Saturday, Jan. 25, 2025, in Park City, Utah.

Andrea Gibson helped me see life in the good light

Gibson’s poetry about queerness and mortality taught thousands of people how to reject apathy and embrace life
Collage of greyscale photos of a sofa, chair, shelf and the lower bodies of two people, against a purple and pink background

We need queer gathering spaces more than ever

The 11-part series “Taking Space” explores where we go next as the lights of gay bars dim