Mark, Mike Hoolboom’s difficult documentary

See it at Hot Docs on May 1 or 9

“When someone close to you dies, I think the first inclination is to try to fill their absence with something,” says Mike Hoolboom of his documentary Mark.

The film is a haunting tribute to the life of Mark Karbusicky, a gentle animal rights activist, political vegan, punk maestro and life partner of transsexual performance artist Mirha-Soleil Ross. Karbusicky took his own life in 2007.

This project is obviously a sensitive one for Hoolboom. He chafes when asked how Mark will appeal to the queer community.

“You mean queer communities, don’t you? The movie presents a trans-normal world, one in which Mirha-Soleil’s MTF status is neither the movie’s vanishing point nor featured attraction. Mark’s life-partner commitment grounded him in a trans-activist momentum at the same time as it rendered cross-gendered operations part of the always-background…. Perhaps watching Mark in drag, lip-synching Blondie would more likely get temperatures rising.”

Hoolboom’s anger is palpable as he tries to navigate the promotion of a film he doesn’t want to sensationalize, or sanitize. Both the film and its maker are raw.

At heart, Mark is the story of someone fascinating, presented so everyone will see a little of themselves in its characters.

“He showed me that it was possible to create space around difficult thoughts, or people, or situations,” says Hoolbloom. “He was a genius of waiting, a geek in punk clothing. His mantra was forever, no problem.”

Read More About:
Culture, Health, Toronto, Arts

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink