Toronto: Where you go to play

Today saw the launch of LG Fashion Week. Be sure to take in the beauty which is currently tented outside city hall — as are many spectators. *ahem*

Meanwhile, The Globe reports that mayor Miller is launching a song contest to create a new pop anthem for the city. The article bafflingly claims that more info is available on the city’s web site, but darned if I can find it.

And The Star announces that a sequel to The Phantom of the Opera, which defined Toronto’s big budget musical theatre scene for ten years, will be making its world premiere later this year right here in Toronto, likely with a Torontonian in the lead.

That’s cause for celebration, but the biggest party of the month is certain to be Buddies’ official St. Patrick’s Day party, St. Patricia’s Day, in Tallulah’s Cabaret tomorrow from “5pm to last man standing.” The party doubles as a fundraiser for the theatre company, so when you’re boss chides you for being hungover on Wednesday, you can always say “it was for a good cause!”

Rob Salerno is a playwright and journalist whose writing has appeared in such publications as Vice, Advocate, NOW and OutTraveler.

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement