The new black

For those of us lucky enough to be spending an autumn weekend in New York City, there’s an exhibition opening at the Leslie-Lohman Museum of Gay and Lesbian Art that looks incredible.

Lawrence Graham-Brown, an American multidisciplinary artist and photographer, is curating an exhibit and salon exploring the “black” body titled The Subject Is Black.

“Here these eight artists use the body as the predominant theme, gendered and sexualized in all its strength and glory, questioning a 21st century predicament and narrative,” the Leslie-Lohman site explains.

Graham-Brown’s recent work has engaged with the black male as its subject. For example, Yes/Bumbo Stories examined the “phallocentric and derriere-centric idealization of Black masculinity,” which was exhibited earlier this year. Much of the work on his site explores similar themes of black male sexuality, representation and exploitation.

The Leslie-Lohman gallery is the first art museum dedicated entirely to preserving and fostering the work of LGBT artists, and it seems like they have some really amazing work. Check it out next time you’re in the Big Apple, and don’t miss The Subject Is Black next weekend if you can make it.

Michael Lyons is a queer-identified, chaotic neutral writer, activist, misanthrope, sapiosexual, and feline enthusiast. He is a columnist, blogger and regular contributor with Xtra and has contributed to Plenitude Magazine, KAPSULA Magazine, Crew Magazine, Memory Insufficient e-zine, The Ryersonian, Buddies Theatre blog, Toronto Is Awesome blog and Fab Magazine and more.

Keep Reading

Should AI use stop you from seeing ‘Stop! That! Train!’?

Director Adam Shankman told Xtra that the film actually did use some AI in its visual effects
Marcia Marcia Marcia, Brooke Lynn Hytes, and Symone in STOP! THAT! TRAIN!

‘Stop! That! Train!’ director Adam Shankman says the movie used AI

Shankman sat down with Xtra to talk RuPaul, modern gay cinema—and exactly how much AI was used in his film
A saw

‘Saw’ was my sexual awakening

The series was the centrepiece of a homoerotic middle-school friendship. As I got older, I turned to it for much-needed release
An image of the cover of 'No God but Us' against a zoomed portion of the cover featuring a lit candle and butterflies with eyes on their wings against a black background

‘No God but Us’ delves into the parallel universes created by war and displacement

Bobuq Sayed’s debut novel considers borders and ethics through the eyes of two queer Afghan lovers
Advertisement