Quebec artists target Harper’s cuts to arts funding

YouTube video already viewed more than 250,000 times

Quebec artists have creatively drawn attention to the Harper government’s cuts to arts and culture funding.

A group, led by singer Michel Rivard, released a YouTube video titled “Culture en peril” (Culture in Danger). It’s a satirical take on the Conservative cuts, and it has been viewed more than 250,000 times since it was uploaded late Sep 18.

The fictional video follows Rivard as he visits a government committee in charge of arts funding. Language gaps and cultural misunderstandings abound, and the committee tackles Rivard with questions about his lyrics. They are outraged when he sings about a “phoque” (the word for seal in French), which they hear as “fuck.” The committee even asks Rivard if he’s a “homosexual,” and then they dismiss him without approving his funding.

The video ends with a quote from the Conference Board of Canada: “Every dollar invested in the cultural industry brings 11 times more in direct or indirect benefits.”

Check it out below, or watch the version with English subtitles here.

Read More About:
Culture, Canada, Quebec, Arts

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement