Pride in Art cancelled

A queer arts and performance festival has been called off for a second time, victim once again to the city strike, now in its 11th week.

“Profoundly disappointed, almost disheartened” is how Joanne Ursino describes the mood of the Pride in Art Society after it made the decision to pull the plug yet again on its show, Gender Twist, that was initially supposed to begin a 16-day run at the Roundhouse Community Centre on Jul 30 to coincide with Pride festivities.

But when city workers began strike action in the last week of July, they closed facilities like the Roundhouse, effectively putting the kibosh on the festival that would have showcased the work of some 25 artists.

Pride in Art rescheduled, never expecting the community centre to still be closed in late October.

“But with no end in sight to the strike, we can’t confirm the venue, we have no guarantees,” says Ursino.

The board is planning to hold its AGM in January —”an opportunity to pull together the performance and visual arts community and ask for their insights concerning our next step.”

Asked if they considered an alternative venue for the show as strike negotiations continued to stall, Ursino says the Society did look at a couple of options but, ultimately, the Roundhouse is perfect from the standpoint of tradition and logistically.

“We’ve had it at the Roundhouse for actually the last 10 years. It’s a community space, it’s a large space. We couldn’t really visualize trying to mount the show in a different space or breaking the show down and having it in different locations. It had to go together.

“We really wanted to offer something to the community that created conversation and would move the discussion forward on issues around gender identity and the intersection with our queer communities,” Ursino elaborates. “It was a show that had issues that cut across an analysis around race, around age. It was edgy. I imagine what it would have been like, and I don’t know if we’re going to be able to pull [that] back.”

Natasha Barsotti is originally from Trinidad and Tobago in the Caribbean. She had high aspirations of representing her country in Olympic Games sprint events, but after a while the firing of the starting gun proved too much for her nerves. So she went off to university instead. Her first professional love has always been journalism. After pursuing a Master of Journalism at UBC , she began freelancing at Xtra West — now Xtra Vancouver — in 2006, becoming a full-time reporter there in 2008.

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink