Pink Triangle Press sells its OUTtv shares

PTP's president and executive director will remain on OUTtv board

Pink Triangle Press (PTP), Xtra and Fab magazines’ parent company, has sold its shares in OUTtv, Canada’s national gay and lesbian television network.

The sale paves the way for increased investment in sex-positive community journalism, says Ken Popert, PTP’s president and executive director, who will remain on OUTtv’s board of directors.

James Shavick and his partner, Joy MacPhail, have purchased the shares, consolidating their position as the majority shareholders of OUTtv.

The move increases Shavick’s stake in the cable channel from about 52 percent to about 95 percent.

“Participating in the ownership and management of OUTtv for nearly a decade has greatly expanded the capabilities of our organization,” Popert says. “But our future is on the internet and in the mobile space, and the sale of our OUTtv interest will allow us to focus on those.”

For more than 40 years PTP has been Canada’s preeminent gay media organization, best known for the Xtra community publications in Toronto, Vancouver and Ottawa, and Fab magazine.

Read More About:
Books, Culture, News, Arts, Canada, Media

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement