Photographer Drasko Bogdanovic releases first book

Photographer Drasko Bogdanovic has released his first book, Persuasion of Men, featuring hot photos and an introduction by Canadian writer Brad Fraser. Check out this shot from the collection:

Preview some of the book’s 120 photos online

Xtra profiled Bogdanovic back in 2009.

A photographer of homoeroticism, he attempts to capture both the arousing and the artistic.

“People are uncomfortable with men flaunting their beauty,” Bogdanovic
says. “When you look through magazines, porn, pop culture, it’s always
that masculine stereotype — buff, huge-muscled guys. But beauty always

plays on some kind of feminine side.”

His work shimmies along the line between glamour shot and personal
memento. He uses a combination of professional and amateur models,
shooting them in both staged and candid poses. He further mixes genres
by using both natural lighting and classical posture. (read the full profile)

If you’re in Toronto, you can catch Bogdanovic’s Persuasion of Men photo exhibit in May:

May 7–31.
Grasp Erotica Bar.
543 Yonge St, Toronto.

Opening reception and party.

Friday, May 7 at 7:00pm.

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement