Neon Trees frontman Tyler Glenn comes out as gay

Chances are, you’ve heard a Neon Trees song at least once in your life. They’re rather ubiquitous like that. The Utah pop-rock band is primarily known for creating the kind of insatiable earworms that stay in your head for weeks on end. For example . . .

See? Catchy as hell. And, according to an interview with Rolling Stone magazine, the band’s frontman, Tyler Glenn, has officially come out of the closet as gay. So there’s that too.

What’s especially interesting is that Glenn is also a practising Mormon, and he used the opportunity to talk about how he navigated his sexuality and his religion. When the subject came up, he said, “[w]e were always taught, and I hate this word, ‘tolerance,’ . . . The only time that felt different was when the Prop 8 thing came up.”

Since I briefly talked about it yesterday, pay close attention to this, Bill Donohue: this is how you open the conversation on gay rights and religious rights. Because once again, this is a dialogue worth having, and there are plenty LGBT people of faith who want both sides to come to a peaceful agreement. We can’t do that if people shut down or refuse to pitch in.

Keep Reading

Frank Ocean

Frank Ocean soundtracked my two earliest—and most devastating—romances

“Blonde” and “channel ORANGE” both came out during pivotal moments in my queer awakening. A decade later, how can I listen to them without breaking my heart? 
The cast of Canada's Drag Race All Stars

‘Canada’s Drag Race All Stars’ finale recap: The first Canadian ‘All Stars’ champion is …

A Lip Sync Smackdown for the Crown delivers goops and gags before crowning one queen
Annie Jacobson (Ella Rubin), Maple (Mabel Strachan), Oona (Bo Bragason) and Ramona (Amélie Hoeferle) shout in a scene in Sterling Point.

Even in the idyllic queer world of ‘Sterling Point,’ whiteness is front and centre

The Muskoka-set series glosses over the racism of Canada’s cottage country
Cover of the book "Unsafe"

‘Unsafe’ challenges us to handle anti-trans backlash differently

S. Lamble’s debut argues that punishment makes anti-trans activists double down on their hate
Advertisement