La Cage aux Folles for la famille

Centrepoint Studio hopes all kinds of audiences will fall for its men in heels

I am what I am
I am my own special creation
So come take a look,
Give me the hook or the ovation.
It’s my world that I want
to take a little pride in,
My world, and it’s not a place
I have to hide in.
Life’s not worth a damn,
’Til you can say, “Hey world,
I am what I am.”

To some, La Cage aux Folles should be R-rated. It’s got men dancing in heels, a nightclub in Saint-Tropez and same-sex parents. But for Kraig-Paul Proulx, the musical carries a powerful and straightforward message of acceptance, love and the importance of family — a message every parent should want their children to hear. And with lyrics like the above, it’s hard to disagree with him.

Proulx will play Albin in Suzart Productions’ upcoming performance. Albin’s drag queen alter ego, Zaza, is the star attraction at his partner Georges’s nightclub. When Georges’s son, Jean-Michel, brings his fiancée’s conservative parents home to meet him, things get a bit crazy. And very funny. And, ultimately, quite meaningful.

Proulx has always wanted to play the role of Albin/Zaza. “This is my dream role, as I’m sure it is for any gay male performer,” he says. “I get to sing ‘I Am What I Am’ every night. I have goose bumps thinking about it.”

The people at Suzart Productions thought long and hard about opening their 2014/2015 season with La Cage. The company is family-run and puts on shows for the entire family. They even have a mentoring program for young people interested in the theatre. So, would parents want to bring their kids to see men high-kicking in heels?

“That’s a little bit scary for a family theatre company,” Proulx says. “But some of us really pushed the idea that it’s about family, about love, about acceptance. It’s more than just drag queens onstage. It’s about a family — a different kind, but a family nonetheless.”

La Cage aux Folles
Thurs, Dec 4–Sun, Dec 7
Centrepointe Studio Theatre
101 Centrepointe Dr
centrepointetheatre.ca

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Theatre, Arts, Ottawa

Keep Reading

Mia Starr with an up arrow behind her; Vita Vontesse Star with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 5 power ranking: The first heat

We’re at the intermission of the talent show—how did the first six queens fare?
Juicy Love Dion lying down with her mouth open

‘RuPaul’s Drag Race’ Season 18, Episode 5 recap: Survival of the draggiest

Rate-a-Queen returns, and brings with it some strong attempts at strategic gameplay
Several roller derby players cheering while seated

‘Rising Through the Fray’ shows roller derby has no borders

Courtney Montour’s documentary follows a revolutionary Indigenous derby team—in all its beauty and power
Ciara Myst with an up arrow behind her; Briar Blush with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 4 power ranking: In fashion, you’re either in or you’re out

The show basically hands us a power ranking this week, but there’s still much to discuss