Just a queen and his puppets

Ronnie Burkett’s latest is the unscripted, lighthearted Daisy Theatre

Ronnie Burkett’s latest, The Daisy Theatre, is the queerest show of his long career. “This is the campiest show I’ve ever done — just a queen with his puppets,” he says.

Thinking back to theatre school, Burkett remembers being told that because of his “gender, skin colour and physicality,” he would only ever be able to play certain roles. In response, he pursued his passion for puppets and started creating shows with all-marionette casts. “With puppets I can play anything I want: princesses, animals, princes, everything,” he says. “I’ve never had the impulse to do drag, but in a way that’s what I’m doing. I just get to keep my boy clothes on while I do it.”

In The Daisy Theatre, Burkett pulls all the strings, including doing all the voices of his approximately 30 characters. The show is unscripted, and his crew of eccentric puppets do whatever they feel like on a given night, from variety acts to impromptu monologues, as well as occasionally luring audience members up to the stage.

Some of his favourite characters are an aging showgirl with a feather boa who is “disgusting, drunken, fabulous, and every night we get a guy onstage to be her slave boy”; Mrs Edna Rural, who is “a farm widow, also a NeoCitran addict, and she’s sort of the regional Canadian woman that everyone knows somehow”; Jim Bunny, “a gay rabbit in a wrestling singlet”; and a British major-general who is “a certain old-school kind of guy, and he does a music-hall number called ‘There are Fairies at the Bottom of My Garden’ and then walks back in wearing his dead mother’s Edwardian costume and jewels.”

The Daisy Theatre is a much-needed break for Burkett from touring his other, more serious show, Penny Plain, about the end of the world. “My work lately has been dark, and I needed to do something ridiculous, dirty and funny,” he says.

Ronnie Burkett’s The Daisy Theatre runs Wed, Feb 12–Sun, Feb 23 at Factory Theatre, 125 Bathurst St. factorytheatre.ca

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Theatre, Toronto, Arts

Keep Reading

Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink

‘Masquerade’ offers a queer take on indulgence and ennui 

Mike Fu’s novel is a coming of age mystery set between New York and Shanghai