It was so hard to resist sitting on the mic

Raziel Reid with Glen Callender, photo by James Loewen

There is a lot about my job at Xtra that I love, but filming the Pride parade, with my amazing producer Robin Perelle and videographer Angelina Cantada for the second year in a row, has become my ultimate favourite. Not only is it fun and outrageous, it also has meaning. A few weeks ago I blogged a Pride parade video from the ‘70s, and it was so interesting to see the gay community of that era in all their self-expression glory. It made me realize how important it is to archive our love so that every future generation can see exactly what we’ve been fighting for.

Bookmark and Share

Keep Reading

The cover of Perverts

‘Perverts’ shows the cost of sexual self-censorship

Mac Crane’s short-story collection follows queer and trans characters who are both stuck—and free
Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
Advertisement