Cinderella: drag to riches

Ross Petty’s annual holiday pantomime features newcomer Nicko Giannakos


From the sublime to the offensive, Disney films are rife with gay characters. The Little Mermaid’s brassy sea witch, Ursula, is based on the drag queen Divine. The eyelashes of the genie from Aladdin put RuPaul to shame. And the effeminacy of The Lion King’s Scar is overshadowed only by Timon and Pumbaa’s flamboyant affair.

So it’s no surprise there’s so much drag in Ross Petty Productions’ upcoming holiday show, Cinderella: The Gags to Riches Family Musical.

Each year Ross Petty Productions puts on a pantomime for the holidays; they take a simple, classic tale, such as Snow White or The Little Mermaid, alter the story a bit and add jokes and some modern songs whose lyrics fit with the tale.

“It becomes ridiculous and funny. Usually a panto has a message it’s trying to convey,” says Nicko Giannakos, who’s performing in the holiday production for the first time this year. “In this show, Cinderella runs an organic food market and wants to go to the ball to spread a message about kids eating healthier foods.”

As well as being a member of the ensemble, Giannakos is Ross Petty’s understudy. If some ill should befall Petty — and nobody’s pointing fingers here (Psst! Giannakos did it!) — Giannakos will get on his dress, wig and scowl and play the audience-taunting evil stepmother.

“There’s kind of a tradition of this. For instance, in the ballet version of Cinderella, the roles of the ugly stepsisters and stepmother are usually played by men,” Giannakos says. “They’re meant to be hideous, and it’s easier to make an ugly woman out of a man. I can tell you right now that I make an ugly woman.”

Giannakos most enjoys Dan Chameroy’s character, Plumbum, who recurs in Ross Petty shows. “Plumbum is playing the Fairy Godmother. She’s a really crazy drag queen, with makeup all over her face, and she’s hysterically funny,” he says. “Dan often [ad libs], and we’re laughing onstage as much as the audience when he says these crazy things.”

Cinderella: The Gags to Riches Family Musical
Thurs, Nov 27–Sun, Jan 4
Elgin Theatre
189 Yonge St

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Theatre, Arts, Toronto, Canada

Keep Reading

Cole Escola won a Tony. But why are acting awards still so gendered?

The “Oh, Mary!” star became the first non-binary actor to win a lead acting Tony Award

How trans comics can save the world

ANALYSIS: The world is growing increasingly hostile toward the LGBTQ2S+ community. We need superheroes now more than ever

‘Disappoint Me’ is a study in compassion

Nicola Dinan’s second novel raises big questions about forgiveness, justice and responsibility
A pink background with two hands made out of American dollar bills in a handshake; behind the hands are women playing sports

Womens sports is booming. Can it continue ethically?

ANALYSIS: The WNBA and PWHL are thriving, but will problematic partnerships in the interest of profits threaten their success?