Brooklyn’s Ana Egge brings her ethereal songs to Toronto

Musician plays at Rivoli on Sat, Nov 14


Brooklyn’s Ana Egge is a cartographer; she maps her life through song. Her latest album Road to My Life, is a journey of self, love and humanity.

“New York is like a new country, always new,” says Egge. “There’s so much freedom living in a city of 8 million people. You can recreate yourself daily.

“There are stories all around you and millions of people expressing themselves, not to mention all of the incredibly gifted and inspiring musicians who live and play there.”

Road to My Life is an ethereal 13-track collection of songs. Egge’s signature airy, dream-like vocals set the mood for a voyage through heart, mood and longing.

“The title comes from the song The Sea Around You,” says Egge. “It’s very much about making healthy choices, once again and becoming the captain of your own ship.”

Egge’s discography includes: 2007’s Lazy Days, 2004’s Out Past the Lights, 2000’s 101 Sundays and 1999’s Milke Marker. Her collaborative work also includes teaming up with Halifax’s beloved songbird Rose Cousins to lend their buttery voices to Joel Plaskett’s Polaris-nominated album, Three.

“Joel’s very inventive and has a seemingly endless supply of fresh ideas that bubble up right in the moment,” she says. “We had a wonderful time.”

Drawing from personal experience, Egge understands that life is art and art is life. She finds inspiration in the every day, from living, experiencing pain and joy. At the end of the day she wants to be the captain of her own ship and stay true to herself.

“Well, I get inspiration from living, and experiencing pain and joy personally,” she says. “And from the way words fit together and may reflect more than one specific meaning. Sometimes it’s over hearing a conversation. Melody often decides for me what the lyrics will be.”

As a teenager Egge loved Bonnie Raitt, John Hiatt, though she later acquired a taste for Joni Mitchell, Dolly Parton, “then I found country blues artists like Bukka White and Mississippi John Hurt and other songwriters and players like Randy Newmand, Ann Peebles and JB Lenoir.”

Part and parcel of being in the public eye is people tend to take notice; Egge seems slightly perplexed at the thought of being a role model. Anyone who gets the chance to mingle in the same room with her gentle yet devilish demeanour, not to mention see her perform can’t help but look up to her. She’s a combination of nerve and skill.

“I’ve been out since I was 15. That’s interesting about being a role model and something I haven’t really thought of, but I hope so,” she says. “I mean, mostly I’ve been encouraged to be myself in my private and public lives and that’s the creative path for me.”

 

Read More About:
Music, Culture, Canada, Arts

Keep Reading

The cover of Work to Do by Jules Wernersbach; Jules Wernersbach

‘Work to Do’ shows just how dramatic a grocery store can get

Jules Wernersbach’s energetic novel delves into the intricacies of queer entrepreneurship, climate change—and class revolt
Side-by-side images of author Sara Ahmed holding her dog, wearing pink sparkles with dark hair, and the cover of her book "No! The Art and Activism of Complaining." The book cover is light pink with black text on a white background.

Sara Ahmed says we need more complainers, not less

Whether it’s queer community, academic or government institutions, the feminist scholar says there's value in complaints
Nini Coco with an up arrow behind her; Juicy Love Dion with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 14 power ranking: The final three

Who can win? Who will win?
Zane Phillips

‘RuPaul’s Drag Race’ Season 18, Episode 14 recap: Top of the morning to Ru

We’ve finally reached the end of in-season play, with just a LaLaPaRuZa and finale to go
Advertisement