Brandon Crone exposes his kinks in Nature of the Beast

New play puts sex slave in the basement, a nephew at the door and an uncle in an awkward position


Someone is tied up in a basement in a remote Northern Ontario locale, and the 17-year-old gay boy who’s dropped in for a visit doesn’t know it yet. He’s seeking refuge from his abusive parents at his uncle Francis’s place. At first nothing seems amiss, but the strange sounds emanating from the oddly-out-of-place baby monitor are suspicious — is somebody in pain?

The tied-up man is paying Francis to keep him there. At the play’s outset, the two matter-of-factly agree on what will happen, reciting the activities with a banality usually reserved for shopping lists — two litres of whipping, a basket of chains, two bushels of vengeful ball slaps — and in slightly silly northern accents that make it clear this is not a play about murder, but a comedy about BDSM.

Brandon Crone began writing Nature of the Beast in 2008. “There was stuff I wanted to see on the stage and just wasn’t seeing,” he says. “So, I put it together and now the play is having its world premiere and it’s scary to me because it covers such personal stuff.”

Crone is from north of Toronto, but the play isn’t autobiographical. It’s personal to him in the sense that it involves some of his kinks and kink-related concerns.

“Coming from a smaller town, I’ve had a rough journey coming to terms with who I am,” he says. “I’ve had difficulty asking people to take control of me.” Among other things, the play explores the idea of sexual power exchange. Is it safe? Should it be kept private?

In addition to more kink on stage, Crone wanted to create a less Toronto-centric play. “I’m interested in representing the voices of people that I grew up with, who weren’t always that articulate,” he says. “And to show them dealing with scary things, like sexuality.”

So, the characters make no eloquent arguments. The audience is instead presented with a bold, unusual and humorous situation, and they’re allowed to read into it if they like and conjure up their own epiphanies.

Meanwhile, Francis needs to keep his unexpected visitor from finding out what’s up. If he doesn’t succeed, how will learning about the sub in the basement impact a vulnerable young man, only recently out of the closet?

Nature of the Beast runs Thurs, March 26–Sat, April 11, various showtimes, at The Storefront Theatre, 955 Bloor St W, Toronto
safeword.ca

 

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, News, Toronto, Arts, Theatre

Keep Reading

Collage with two hands holding a bat, swinging towards a baseball with a dollar sign on it, against a blue background with a net, baseball player and the Olivia logo on an outfield sign

Why the WPBL partnering with a lesbian travel company matters

Support from lesbian brands and bars harks back to the queer history of women’s sport leagues
Confluence cover

‘Confluence’ brings Vancouver’s queer history to life

The late Alex Turner and his husband, Lucian Childs, have written a unique and rewarding ode to mid-century gay British Columbia

Gaudy goddess: Self-described backwoods Barbie, Dolly Parton, chats about boobs, Broadway and battling hate

Revisiting Matt Thomas’s interview with the legend, originally published in fab Magazine in 2009

Dolly Parton was all of our chosen family

The superstar, who passed away at age 80, was always there for her queer fans. We collectively mourn her loss
Advertisement