Westfest: New space and new direction

Opening night showcases Inuit musicians


Westfest has fast become an energetic and unique music festival — a double bass in a rock and roll world. Elaina Martin, founder and producer, has taken Westfest from a one-day, three-block festival to a three-day arts and music fest that dominates the west end.

Westfest is the only music festival of its kind in the city that’s free to attendees. For the cost of sunscreen, Ottawans can wander the streets and take in performances, buskers and spoken-word artists at every corner of the 14-block street party.

In the evening, with the kids in bed and the Converse sneakers on, music lovers can kick back, swig a beer (anywhere on festival grounds, thanks to the new venue and Ontario’s new liquor laws) and watch local and national musicians rock it out onstage.

To add to the festival’s growing appeal, this year’s opening night will showcase Inuit artists, with Lucie Idlout as the headliner.

Idlout is a well-known musician from Iqaluit, Nunavut. She released her first album in 2004 and opened for the White Stripes three years later. Idlout has recently moved back to Iqaluit from Toronto.

“As far as my spirit goes, I am a lot happier here,” says Idlout.

Idlout is currently writing a new album but says that being back in Iqaluit doesn’t necessarily influence her songwriting. Melodies, she says, rumble around her head like sound waves coming from a radio station.

“The radio station in my head in constantly playing, and when I hear something that I like I have to sit down and focus on it, no matter where I am,” she says. “I’ll hear a melody or a tune will pop into my head, and it pretty much dictates the mood and the subject of the song. It’s pretty hard to write a sad song to a happy melody.”

Idlout will be playing at Westfest on Friday night. It’s her second appearance at the festival; in 2008 she opened for Buffy Sainte-Marie and the experience made her keen to return.

She says the festival is “one of the best-organized festivals in this country.”

Idlout usually sounds out her new pieces before festival audiences, but this time, she says, she is keeping the songs secret — fans will have to wait until her new album is released.

For Idlout, the highlight will be just getting up onstage in front of an audience.

“There is the writing process, the recording process, but it is bringing it to the people that makes it all that much more worthwhile,” says Idlout.

Read More About:
Culture, Arts, Ottawa

Keep Reading

Mya Foxx with an up arrow behind her; PM with a down arrow behind her

‘Canada’s Drag Race’ Season 6, Episode 3 power ranking: Big Sister

Social strategy comes into play in a big way—but does it pay off?
Icesis Couture and Pythia behind podiums

‘Canada’s Drag Race’ Season 6, Episode 3 recap: Pick your drag poison

Season 6’s top 11 queens get to choose their own adventure: Snatch Game or design challenge?
The cover of Casanova 20; Davey Davis

Davey Davis’s new novel tenderly contends with the COVID-19 pandemic

“Casanova 20” follows the chasms—and—connections between generations of queer people
Two young men, one with dark hair and one with light hair, smile at each other. The men are shirtless and in dark bedding.

‘Heated Rivalry’ is the steamy hockey romance we deserve

The queer Canadian hockey drama packs heart and heat, setting it apart from other MLM adaptations